Korg Professional Engineer PA3 Bedienungsanleitung

Advanced EditENGLISHOS Ver. 1.01E

8Style Record modeMain page - Record 1NTT AreaNTT Type/TableNTTs (Note Transposition Tables) are the sophisticated algo-rithms that allow Korg arrange

98Voice ProcessorVoice Processor Setup: Mic ToneThere is only the single DeEss Level control; no other manualadjustment settings are required. The fac

99Voice ProcessorVoice Processor Setup: TalkAdvancedVoice Processor Setup: TalkThis page is where you can set the Talk function, to be used toaddress

100Voice ProcessorVoice Processor Preset: Mixer/FXVoice Processor Preset: Mixer/FXThis page contains master level controls for the Voice Processoras a

101Voice ProcessorVoice Processor Preset: HarmonyAdvancedChord Scan. The area is chosen with the CHORD SCAN-NING buttons in the control panel.Lower Lo

102Voice ProcessorVoice Processor Preset: DoubleAmountYou can vary the amount of humanization for the harmonyvoices. All the styles except for the las

103Voice ProcessorVoice Processor Preset: Filter & Hard TuneAdvancedVoice Processor Preset: Filter & Hard TuneThis page contains the Filter an

104Voice ProcessorVoice Processor Preset: μModVoice Processor Preset: μModμMod is short for micro-modulation. The µMod effect is capableof creating ma

105Voice ProcessorVoice Processor Preset: ReverbAdvancedbeats (e.g. 1/4 triplets, 1/4 dotted notes) for the left and rightdelays.Time L/RThese paramet

106EffectsDynamic Modulation sourcesPa3X is equipped with four powerful Effect Processors for theinternal MIDI tracks (Upper, Lower, Style, Song, Pads

107EffectsDynamics (Dynamic)AdvancedDynamics (Dynamic)0: No EffectSelect this option when you do not use any effects.1: Stereo CompressorThis effect c

9Style Record modeMain page - Record 2/CueAdvancedDelete Note buttonUse this command to delete a single note or a single percussiveinstrument from a t

108EffectsDynamics (Dynamic)a: Envelope SelectWhen L/R Mix is selected for this parameter, the left and rightchannels are linked to control the Limite

109EffectsDynamics (Dynamic)Advancedd: Attackd: ReleaseThese parameters set the attack time and release time. A higherattack time will cause the compr

110EffectsEQ and Filters (EQ/Filter)c: Thresholdd: Attackd: Release“Threshold” specifies the level at which gating occurs when“Envelope Select” is set

111EffectsEQ and Filters (EQ/Filter)Advancedb: Band1 Typec: Band4 TypeSelects a filter type for Band 1 and 4.e, f, g, h: QThese parameters set the ban

112EffectsEQ and Filters (EQ/Filter)b: Emphasis FreqThis parameter sets the frequency to be emphasized. Higher val-ues will emphasize lower frequencie

113EffectsEQ and Filters (EQ/Filter)Advanceda: Frequency Bottoma: Frequency TopThe sweep width and direction of the wah filter are determinedby the “F

114EffectsEQ and Filters (EQ/Filter)a: Modeb: Frequency Bottomb: Frequency Topc: Resonance Bottomc: Resonance TopIf Mode=Preset, this simulates a vint

115EffectsEQ and Filters (EQ/Filter)Advancedd: BPMe: Step Base Notee: TimesThe width of an LFO step, or a cycle of random LFO, is obtainedby multiplyi

116EffectsEQ and Filters (EQ/Filter)16: St. Sub Oscillator(Stereo Sub Oscillator)This effect adds very low frequencies to the input signal. It isvery

117EffectsEQ and Filters (EQ/Filter)Advancedc: Voice Topd: Voice Centere: Voice BottomThese parameters assign vowels to the top, center, and bottompos

10Style Record modeMain page - Guitar ModeCue areaCue mode for [Style element]This parameter lets you decide how the current Style Elementwill enter a

118EffectsOverdrive, Amp models, and Mic models (OD Amp Mic)19: St. Analog Record(Stereo Analog Record)This effect simulates the noise caused by scra

119EffectsOverdrive, Amp models, and Mic models (OD Amp Mic)Advanceda: WahThe Wah parameter switches the wah effect on/off.a: SwThis parameter sets ho

120EffectsOverdrive, Amp models, and Mic models (OD Amp Mic)22: Gtr. Cabinet + NRThis simulates the acoustic qualities of a guitar amp’s speakercabin

121EffectsOverdrive, Amp models, and Mic models (OD Amp Mic)Advanced25: Bass Amp+Cabinet(Bass Amp Model+Cabinet)This simulates a bass amp and speaker

122EffectsOverdrive, Amp models, and Mic models (OD Amp Mic)b, f: Saturation [%]With higher settings of this value, the waveform will change athigh ga

123EffectsChorus, Flanger, and Phaser (Cho/Fln Phaser)AdvancedChorus, Flanger, and Phaser (Cho/FlnPhaser)29: Stereo ChorusThis effect adds thickness

124EffectsChorus, Flanger, and Phaser (Cho/Fln Phaser)31: Black Chorus/FlangerThis models a Danish-made stereo chorus + pitch modulator &flanger.

125EffectsChorus, Flanger, and Phaser (Cho/Fln Phaser)Advanced33: St. Biphase Mod.(Stereo Biphase Modulation)This stereo chorus effect adds two diffe

126EffectsChorus, Flanger, and Phaser (Cho/Fln Phaser)35: EnsembleThis Ensemble effect has three chorus blocks that use LFO tocreate subtle shimmerin

127EffectsChorus, Flanger, and Phaser (Cho/Fln Phaser)Advanced37: Stereo FlangerThis effect gives a significant swell and movement of pitch to thesou

11Style Record modeMain page - Guitar ModeAdvancedRecording strumming typesThe octave from C1 to B1 is devoted to selecting a strummingtype. By pressi

128EffectsChorus, Flanger, and Phaser (Cho/Fln Phaser)39: St. Random Flanger(Stereo Random Flanger)The stereo effect uses a step-shape waveform and r

129EffectsChorus, Flanger, and Phaser (Cho/Fln Phaser)Advanced41: Stereo PhaserThis effect creates a swell by shifting the phase. It is very effectiv

130EffectsChorus, Flanger, and Phaser (Cho/Fln Phaser)44: St. Random Phaser(Stereo Random Phaser)This is a stereo phaser. The effect uses a step-shap

131EffectsModulation and Pitch Shift (Mod./P.Shift)AdvancedModulation and Pitch Shift (Mod./P.Shift)46: Stereo VibratoThis effect causes the pitch of

132EffectsModulation and Pitch Shift (Mod./P.Shift)47: St. Auto Fade Mod.(Stereo Auto Fade Modulatiom)This stereo chorus/flanger effect enables you t

133EffectsModulation and Pitch Shift (Mod./P.Shift)Advanceda: Control Modef: Voice 1: Resonanceh: Voice 2: ResonanceThis parameter determines the reso

134EffectsModulation and Pitch Shift (Mod./P.Shift)The effect is off when a value for the modulation source specified for the “Src” parameter is small

135EffectsModulation and Pitch Shift (Mod./P.Shift)Advanced51: Grain ShifterThis effect cuts extremely short samples (“grains”) from theinput signal

136EffectsModulation and Pitch Shift (Mod./P.Shift)53: Classic TremoloThis models the highly-acclaimed tremolo circuit that was builtinto a US-made c

137EffectsModulation and Pitch Shift (Mod./P.Shift)Advanced55: Stereo Auto PanThis is a stereo-in, stereo-out auto-panner. The Phase and Shapeparamet

12Style Record modeMain page - Guitar ModeYou can record the pattern by playing it in the range shown bythe diagram.Recording a Chord ShapeYou can fin

138EffectsModulation and Pitch Shift (Mod./P.Shift)a: Typea: LFO Phase [degree]Select the type of phaser LFO and tremolo LFO for the “Type”parameter.

139EffectsModulation and Pitch Shift (Mod./P.Shift)Advanced58: DetuneUsing this effect, you can obtain a detune effect that offsets thepitch of the e

140EffectsModulation and Pitch Shift (Mod./P.Shift)value for the Feedback parameter, the pitch will be raised (orlowered) more and more each time feed

141EffectsModulation and Pitch Shift (Mod./P.Shift)Advanced62: Organ Vib/Chorus(Organ Vibrato/Chorus)This effect simulates the chorus and vibrato cir

142EffectsDelayb: Speed SwitchThis parameter controls how the rotation speed (slow and fast) isswitched via the modulation source.When Mode = To gg l

143EffectsDelayAdvanced65: Stereo/CrossDelayThis is a stereo delay, and can by used as a cross-feedback delayeffect in which the delay sounds cross o

144EffectsDelay67: St. Mod Delay(Stereo Modulation Delay)This stereo delay uses an LFO to sweep the delay time. The pitchalso varies, creating a dela

145EffectsDelayAdvanceda: Control TargetThis parameter selects no level control, delay output control(effect balance), or feedback amount control.a: P

146EffectsDelay70: Tape EchoThis effect simulates a tape echo unit with three playback heads.The distortion and tonal change typical of magnetic tape

147EffectsDelayAdvanceda: Rec Modeb: Reverse Time [msec]When “Rec Mode” is set to Single, you can set up to 2,640msecfor “Reverse Time.” If recording

13Style Record modeMain page - Guitar ModeAdvancedChoosing a Key/Chord for Intro 1 and Ending 1The pattern is recorded in the key indicated by the Key

148EffectsDelay74: L/C/R BPM DelayThe L/C/R delay enables you to match the delay time with thesong tempo. You can also synchronize the delay time wit

149EffectsDelayAdvanced76: St.BPM Mtap Delay(Stereo BPM Multi tap Delay)This four-tap delay enables you to select a tempo and rhythmpattern to set up

150EffectsDelayi: Time Over? L, RYou can set the delay time up to 2,550msec. If the delay timeexceeds this limit, the error message “OVER!” appears in

151EffectsDelayAdvanced79: Tape Echo BPMThis is a tape echo that lets you synchronize the delay time to thetempo of the song.a: Tap1 Dmod Srcb: Tap1

152EffectsReverb and Early Reflections (Reverb ER)Reverb and Early Reflections (Reverb ER)80: Reverb HallThis hall-type reverb simulates the reverber

153EffectsReverb and Early Reflections (Reverb ER)Advanced85: Reverb BrightRoomThis room-type reverb emphasizes the early reflections thatmake the so

154EffectsMono-Mono Serial (Mono-Mono)Mono-Mono Serial (Mono-Mono)88: P4EQ - Exciter(Parametric 4-Band EQ - Exciter)This effect combines a mono four-

155EffectsMono-Mono Serial (Mono-Mono)Advanced90: P4EQ - Cho/Flng(Parametric 4-Band EQ - Chorus/Flanger)This effect combines a mono four-band paramet

156EffectsMono-Mono Serial (Mono-Mono)92: P4EQ - Mt. Delay(Parametric 4-Band EQ -Multitap Delay)This effect combines a mono four-band parametric equa

157EffectsMono-Mono Serial (Mono-Mono)Advanced94: Comp - Amp Sim(Compressor - Amp Simulation)This effect combines a mono compressor and an amp simula

14Style Record modeStyle Record procedureStyle Record procedureThere are two different methods for recording a Style: Realtimeand Step.• Realtime Reco

158EffectsMono-Mono Serial (Mono-Mono)96: Comp - P4EQ(Compressor - Parametric 4-Band EQ)This effect combines a mono compressor and a four-band para-m

159EffectsMono-Mono Serial (Mono-Mono)Advanced98: Comp - Phaser(Compressor - Phaser)This effect combines a mono compressor and a phaser. You canchang

160EffectsMono-Mono Serial (Mono-Mono)100: Limiter - P4EQ(Limiter - Parametric 4-Band EQ)This effect combines a mono limiter and a four-band parametr

161EffectsMono-Mono Serial (Mono-Mono)Advanced101: Limiter - Cho/Flng(Limiter - Chorus/Flanger)This effect combines a mono limiter and a chorus/flang

162EffectsMono-Mono Serial (Mono-Mono)103: Limiter - Mt.Delay(Limiter - Multitap Delay)This effect combines a mono limiter and a multitap delay. Youc

163EffectsMono-Mono Serial (Mono-Mono)Advanced105: Exciter - LimiterThis effect combines a mono exciter and a limiter. You canchange the order of the

164EffectsMono-Mono Serial (Mono-Mono)107: Exciter - PhaserThis effect combines a mono limiter and a phaser.108: Exciter - Mt.Delay(Exciter - Multit

165EffectsMono-Mono Serial (Mono-Mono)Advanced109: OD/HG - Amp Sim(Overdrive/Hi.Gain - Amp Simulation)This effect combines a mono overdrive/high-gain

166EffectsMono-Mono Serial (Mono-Mono)111: OD/HG - Phaser(Overdrive/Hi.Gain - Phaser)This effect combines a mono overdrive/high-gain distortion anda

167EffectsMono-Mono Serial (Mono-Mono)Advanced113: Wah - Amp Sim(Wah - Amp Simulation)This effect combines a mono wah and an amp simulation. Youcan c

15Style Record modeStyle Record procedureAdvancedStep Record procedure1. While in the main page of the Style Record mode, select the“Overdub Step Re

168EffectsMono-Mono Serial (Mono-Mono)115: Decimator - Comp(Decimator - Compressor)This effect combines a mono decimator and a compressor. Youcan cha

169EffectsMono-Mono Serial (Mono-Mono)Advanced117: Cho/Flng - Mt.Dly(Chorus/Flanger - Multitap Delay)This effect combines a mono chorus/flanger and a

170EffectsMono-Mono Serial (Mono-Mono)119: Reverb - GateThis effect combines a mono reverb and a gate.f: [G]Envelope Selectf: Srcg: [G]Input Reverb M

171EffectsDouble SizeAdvancedDouble SizeDouble-size effects take two processing units, therefore “steal-ing” one unit to the following FX processors.1

172EffectsDouble Size122: OD/HyperGain Wah(Overdrive/Hyper Gain Wah)This distortion effect has two modes: overdrive and hyper-gainthat produces a str

173EffectsDouble SizeAdvanceda: Amp Typed: PresenceIf the Amp Type is VOX AC15...VOX AC30TB, this sets theattenuation of the high-frequency range. For

174EffectsDouble Size128: BassTubeAmp+Cab.(Bass Tube Amp Model + Cabinet)This simulates a bass amp (with gain and drive) and speaker cab-inet.a: Amp T

175EffectsDouble SizeAdvancedb, c, d, e, f, g: StatusThese parameters set the output status of each Tap.Always On: Output is always on. (No modulation

176EffectsDouble Size132: St. PitchShift BPM(Stereo Pitch Shifter BPM)This stereo pitch shifter enables you to set the delay time tomatch the song te

177EffectsDouble SizeAdvanceda: SwThis parameter determines how to switch on/off the overdrivevia a modulation source.When “Sw” = Toggle, overdrive is

16Style Record modeEdit menuEdit menuFrom any page (apart for Step Record), press the MENU buttonto open the Style Record edit menu. This menu gives a

178EffectsDouble Size136: Hold DelayThis effect records the input signal and plays it back repeatedly.You can control the start of recording and rese

179EffectsDouble SizeAdvancedThe effect is off when a value for the modulation source specified for the “RST Control Src” parameter is 63 or smaller,

180EffectsVocoder139: Early ReflectionsThis early reflection effect has more precise early reflectionswith twice the maximum length of a normal-size

181EffectsVocoderAdvancede: Formant ShiftBy offsetting the Carrier filter, you can adjust the height of thefrequency range to which the vocoder effect

182Factory dataStylesStylesNote: You can remotely select Styles on the Pa3X, by sending itBank Select MSB (CC#0), Bank Select LSB (CC#32) and Pro-gram

183Factory dataStylesAdvanced17 16 Slow Band18 17 Big Band Jump19 18 Big Band Fox20 19 Big Band 40's21 20 Fox Shuffle 122 21 Fox Shuffle 223 22 I

184Factory dataStyles23 22 Unplugged Swing24 23 Unplugged 3/425 24 Acoustic Bld.3/4Bank: Country1 0 6 0 Easy Country2 1 Country Blues3 2 Slow Country4

185Factory dataStylesAdvanced9 8 Sambalegre10 9 Samba Dance11 10 Disco Samba12 11 Mambo Party13 12 Mambo 200014 13 Modern Bachata15 14 Classic Beguine

186Factory dataStyles27 26 Groove Funk28 27 Cool VocalBank: World1 0 13 0 Spanish Dance2 1 Flamenco 4/43 2 Flamenco 3/443Casatchock5 4 Greek Rumba65Xa

187Factory dataStyle ElementsAdvancedStyle ElementsNote: You can remotely select the various Style Elements on the Pa3X, by sending it Program Change

17Style Record modeEvent Edit: Event EditAdvancedEvent Edit: Event EditThe Event Edit is the page where you can edit each single MIDIevent of the sele

188Factory dataSounds (Bank order)Sounds (Bank order)The following table lists all Pa3X Factory Sounds as they appearin the banks accessed by pressing

189Factory dataSounds (Bank order)Advanced121 12 21 Cassotto 16'121 9 21 Cassotto121 23 21 Master Accordion121 11 21 Sweet Musette121 18 21 Frenc

190Factory dataSounds (Bank order)121 33 25 Real 12 Strings121 8 24 Nylon Gtr Pro1121 11 24 Nylon Gtr Pro2121 14 24 Nylon Slide Pro121 19 25 Steel Gui

191Factory dataSounds (Bank order)Advanced121 19 48 Orchestra Tutti2121 16 48 Orch. & Oboe 1121 17 48 Orch. & Oboe 2121 20 48 Orchestra&Fl

192Factory dataSounds (Bank order)121 5 62 Synth Brass 1121 4 62 Electrik Brass121 31 61 Brass Section121 26 61 Brass Fall121 4 55 Brass Impact121 25

193Factory dataSounds (Bank order)Advanced121 6 97 Rave121 5 98 Moving Bell121 10 89 Analog Pad 3121 12 90 Big Sweep Stab121 2 91 Fresh Air 1121 11 91

194Factory dataSounds (Bank order)121 3 32 Acous. Bass Pro1121 4 32 Acous. Bass Pro2121 9 32 Jazz Bass121 8 32 Acoustic Bass121 6 33 Finger Bass 1121

195Factory dataSounds (Bank order)Advanced120 0 118 Turkish Kit120 0 119 Oriental PercKit120 0 64 Percussion Kit120 0 65 Latin Perc.Kit 1120 0 68 Lati

196Factory dataSounds (Bank order)Legacy: Strings & Vocal121 21 48 Strings Ens. 1121 3 49 Strings Ens. 2121 5 48 i3 Strings121 3 48 Stereo Strings

197Factory dataSounds (Bank order)Advanced121 6 84 Arp Twins121 7 84 LoFi EthnicLegacy: Ethnic121 2 77 Shakuhachi121 10 25 Mandolin Key Off121 1 109 W

18Style Record modeEvent Edit: Event EditWhen in this dialog box, select a target measure, and touch OK.The first event available in the target measur

198Factory dataSounds (Bank order)121 1 16 Det.Drawbar Org121 2 16 It. 60's Organ121 3 16 Drawbar Org. 2121 0 17 Perc.Organ GM121 1 17 Det. Perc.

199Factory dataSounds (Bank order)Advanced121 0 63 Synth Brass 2 GM121 1 63 Synth Brass 4121 2 63 Analog Brass 2GM2/XG: Reed121 0 64 Soprano Sax GM121

200Factory dataSounds (Bank order)121 3 124 Door121 4 124 Scratch121 5 124 Wind Chime121 0 125 Helicopter GM121 1 125 Car Engine121 2 125 Car Stop121

201Factory dataSounds (Program Change order)AdvancedSounds (Program Change order)The following table lists all Pa3X Factory Sounds in order ofBank Sel

202Factory dataSounds (Program Change order)121 16 5 FM Stack EP Legacy: E. Piano121 17 5 VPM E. Piano Factory: E. Piano121 0 6 Harpsichord GM GM2/XG:

203Factory dataSounds (Program Change order)Advanced121 11 18 Rock Organ 2 Legacy: Organ121 12 18 BX3 Rock 4 V. Factory: Organ121 13 18 Jimmy Organ DN

204Factory dataSounds (Program Change order)121 10 25 Mandolin Key Off Legacy: Ethnic121 11 25 Mandolin Trem. Factory: Ethnic121 12 25 Reso Guitar Leg

205Factory dataSounds (Program Change order)Advanced121 4 29 Lead Guitar DNC Factory: Guitar121 0 30 Distortion GtrGM GM2/XG: Guitar121 1 30 Feedback

206Factory dataSounds (Program Change order)121 7 38 Bass Square Legacy: Bass121 8 38 Syn Bass Reso Factory: Bass121 9 38 Digi Bass 1 Factory: Bass121

207Factory dataSounds (Program Change order)Advanced121 7 52 Aah Choir Legacy: Strings & Voc.121 8 52 Wuuh Choir Factory: Strings & Voc.121 9

19Style Record modeEvent Edit: FilterAdvancedEvent Edit: FilterThis page is where you can select the event types to be shown inthe Event Edit page.Tur

208Factory dataSounds (Program Change order)121 0 61 Brass Section GM GM2/XG: Brass121 1 61 Brass Section 2 GM2/XG: Brass121 2 61 Tight Brass 3 Factor

209Factory dataSounds (Program Change order)Advanced121 12 71 Klarnet 2 Factory: Ethnic121 13 71 Clarinet DNC Factory: Woodwind121 14 71 RealClarinet

210Factory dataSounds (Program Change order)121 1 89 Sine Pad GM2/XG: Synth Lead / Pad121 2 89 Master Pad Legacy: Strings & Voc.121 3 89 Power Syn

211Factory dataSounds (Program Change order)Advanced121 0 105 Banjo GM GM2/XG: Ethnic121 1 105 Banjo Key Off Factory: Ethnic121 2 105 Oud 2 Factory: E

212Factory dataDrum KitsDrum KitsThe following table lists all Pa3X Factory Drum Kits in order ofBank Select-Program Change number.Legend: The table a

213Factory dataDrum KitsAdvanced127 0 32 Jazz Kit 1 XG GM2/XG: Drum127 0 48 Jazz Kit 2 XG GM2/XG: Drum127 0 40 Brush Kit XG GM2/XG: Drum127 0 17 Class

214Factory dataMultisamplesMultisamplesThe following table lists all Pa3X Factory Multisamples.* OrigTune: Original Tune, i.e., samples use the natura

215Factory dataMultisamplesAdvanced114 Rotor Noise LF L 115 Rotor Noise LF R 116 Rotor Noise LS L 117 Rotor Noise LS R 118

216Factory dataMultisamples249 Accordion Volkst. 250 Accordion Bass 251 Accordion Noise KeyOn 252 Accordion Noise KeyOff 253 Accordi

217Factory dataMultisamplesAdvanced384 Ac.Gtr Dwn1 L 385 Ac.Gtr Dwn1 R 386 Ac.Gtr Dwn2 L 387 Ac.Gtr Dwn2 R 388

20Style Record modeStyle Edit: TransposeTop parameters, you can select a single percussive instrument ina Drum or Percussion track.Note: These paramet

218Factory dataMultisamples519 Dist. Guitar1 Harmo. 520 Gtr Harmonic GM 521 Dist. Guitar2 Harmo P1 522 Dist. Guitar2 Harmo P2 523 Dist. G

219Factory dataMultisamplesAdvanced654 Detuned Super 655 Detuned PWM 656 Synth Brass 657 PopSynth-2 658

220Factory dataMultisamples789 Timpani 790 Taiko 791 Djembe Open 792 Djembe Mute 793 Conga

221Factory dataDrum SamplesAdvancedDrum SamplesThe following table lists all Pa3X FactoryDrum Samples.#Name Family0 BD 22 Inch Std1 Bass Drum

222Factory dataDrum Samples147 SD Crv+Rim Stage f Snare Drum148 SD Crv Open Stage pp Snare Drum149 SD Crv Open Stage p Snare Drum150 SD

223Factory dataDrum SamplesAdvanced306 SD Pop1 p GM Snare Drum307 SD Pop1 mf Snare Drum308 SD Pop1 mf GM Snare Dr

224Factory dataDrum Samples465 SD Syn.2 Snare Drum466 SD Syn.3 Snare Drum467 SD Syn.4 Snare Drum468 SD

225Factory dataDrum SamplesAdvanced624 Tom5 Low Tom625 Tom6 Vintage Hi p Tom626 Tom6 Vintage Hi mf Tom627 Tom6 Vintage Hi

226Factory dataDrum Samples783 Claps Natural 2b Low Perc.784 Claps Natural 2c Low Perc.785 Claps Natural 2d Low Perc.786 Claps

227Factory dataDrum SamplesAdvanced942 Bongo2 Lo Open a Low Perc.943 Bongo2 Lo Open b Low Perc.944 Bongo2 Lo Mute Low Perc.9

21Style Record modeStyle Edit: CutAdvancedE / CV (Style Element/Chord Variation)Use these parameters to select the Style Element and ChordVariation fo

228Factory dataDrum Samples1101 Cabasa 1 L b Up Hi Perc.1102 Cabasa 1 S a Down Hi Perc.1103 Cabasa 1 S a Up Hi Perc.1104 Caba

229Factory dataDrum SamplesAdvanced1260 M.E.2 Asagum Low Perc.1261 M.E.2 Asmatek Low Perc.1262 M.E.2 Bendirgum Low Per

230Factory dataDrum Samples1419 Grv HH Closed8 HiHat1420 Grv HH Closed9 HiHat1421 Grv HH Closed10 HiHat1422 Grv HH Closed

231Factory dataDrum SamplesAdvanced1578 99 Ride Cymbal1579 99 Ride Dance Cymbal1580 99 Crash1 Cymbal1581 99

232Factory dataPadsPadsYou can assign the following Hits or Sequences to the four Pads. Older sounds might be still assigned to the Pads when loading

233Factory dataPadsAdvanced# HIT - Synth&Pad HIT - Voice # HIT - Blocks # HIT - Misc&SFX 1 # HIT - Misc&SFX 21 Cosmic 1 Aah ! 1 Blk Funk 1

234Factory dataPads27 27 27 27 2728 28 28 28 2829 29 29 29 2930 30 30 30 3031 31 31 31 3132 32 32 32 32# SEQ - Guitar # SEQ - Orchestral # SEQ - Solo

235Factory dataEffectsAdvancedEffectsThe following table lists all Pa3X Factory Effects. Detailed infor-mation on each effect’s parameter are containe

236Factory dataEffects95 Comp - OD/HiGain96 Comp - P4EQ97 Comp - Cho/Flng98 Comp - Phaser99 Comp - Mt. Delay100 Limiter - P4EQ101 Limiter-Cho/F

237Factory dataMIDI SetupAdvancedMIDI SetupDefault Master Kbd Player1 Player 2 Accordion 1 Accordion 2 Accordion 3 Ext. Seq MIDI IN Channel1 P1_Tr

22Style Record modeStyle Edit: DeleteStyle Edit: DeleteThis page is where you can delete MIDI events out of the Style.This function does not remove me

238Assignable parametersList of Assignable Footswitch / Pedal functionsList of Assignable Footswitch / PedalfunctionsThe following functions can be as

239Assignable parametersList of Assignable Footswitch / Pedal functionsAdvancedSubScale Preset 1 (SC1)…4 (SC4)Same functions of the SC Preset buttons

240Assignable parametersList of Assignable Slider functionsList of Assignable Slider functionsThe following functions can be assigned to the Assignabl

241Assignable parametersList of EC5 functionsAdvancedList of EC5 functionsThe following functions can be assigned to a Korg EC5’s switchpedal.Text Pag

242Assignable parametersList of EC5 functionsPerform. Down Selects the previous PerformanceStyle Change Style numberSound Up Selects the next SoundSou

243Assignable parametersScalesAdvancedScalesThe following is a list of scales (or tunings) you can select in var-ious operating modes.Equal Equal tuni

244MIDI DataMIDI ControllersMIDI ControllersThe following is a table including all Control Change messages,and their effect on various Pa3X functions.

245Recognized chordsAdvancedThe following pages show the most important chords recognized by the Pa3X, when the selected Chord Recognition mode is Fin

246Recognized chordsT= constituent notes of the chord = can be used as tension4-noteTTMinor 7th3-noteT4-noteT TMinor-Major 7th3-noteT3-noteTTDiminishe

23Style Record modeStyle Edit: Copy from StyleAdvancedE / CV (Style Element/Chord Variation)Use these parameters to select the Style Element and Chord

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24Style Record modeStyle Edit: Copy from Padthe source will be copied once, then the first 2 measureswill be copied to fit the remaining 2 measures.No

25Style Record modeStyle Element Track Controls: Sound/ExpressionAdvancedStyle Element Track Controls: Sound/ExpressionIn this page you can assign a d

26Style Record modeStyle Element Track Controls: Keyboard RangeStyle Element Track Controls: KeyboardRangeThe Keyboard Range automatically transposes

27Style Record modeStyle Track Controls: Type/Trigger/TensionAdvancedStyle Track Controls: Type/Trigger/TensionIn this page you can set the Mode, Retr

1Table of ContentsAdvancedStyle Record mode . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 3The Style structure . . . . . .

28Style Record modeImport: Import SMFImport: Import SMFThe Import SMF function allows you to import MIDI data froma Standard MIDI File (SMF) created o

29Style Record modeImport: Import SMFAdvancedImporting an SMF separated by Markers intoa StyleAs an alternative to importing single Chord Variations,

30Style Record modeExport SMFExport SMFThe Export SMF function allows you to export a Chord Varia-tion as a Standard MIDI File (SMF), and edit it on y

31Style Record modePage menuAdvancedPage menuTouch the page menu icon to open the page menu. Touch a com-mand to select it. Touch anywhere in the disp

32Style Record modeCopy Key/Chord dialog boxNote: A User or Favorite Style is usually prompted when writing aStyle. However, you can overwrite a Facto

33Style Record modeCopy Key Range dialog boxAdvancedCopy Key Range dialog boxOpen this window by choosing the Copy Keyboard Range itemfrom the page me

34Style Record modeOverdub Step Recording windowFree MemoryRemaining memory for recording.DurationRelative duration of the inserted note. The percenta

35Pad Record modeThe Pad structureAdvancedBy entering the Pad Record mode, you can create your own Pads,or edit an existing Pad.The Pad structureA Pad

36Pad Record modeExit by saving or deleting changesExit by saving or deleting changesWhen finished editing, you can save your Pad in memory, orcancel

37Pad Record modeMain page - Record 1AdvancedBeat The sequence will start at the next beat, in syncwith the arranger’s or player’s tempo. It will star

2Table of ContentsWrite MultiSample dialog box . . . . . . . . . . . . . . . . . . . . . . . . . . . 92Write Slice dialog box . . . . . . . . . . . .

38Pad Record modeMain page - Record 1NTT AreaNTT Type/TableNTTs (Note Transposition Tables) are the sophisticated algo-rithms that allow Korg arranger

39Pad Record modeMain page - Guitar ModeAdvancedMain page - Guitar ModeWhile in the main page, and a Guitar track has been selected,touch the “Guitar

40Pad Record modeEvent Edit: Event EditOther pages exhibit a slightly different structure.Operating modeThis indicates that the instrument is in Pad R

41Pad Record modePad Edit: TransposeAdvancedPad Edit: TransposeIn this page you can transpose the selected track(s).Note: After transposing, please do

42Pad Record modePad Edit: CutPad Edit: CutThis function lets you quickly delete a selected measure (or aseries of measures) from the selected Chord V

43Pad Record modePad Edit: Delete AllAdvancedBottom / Top NoteUse these parameters to set the bottom and top of the keyboardrange to delete.Note: Thes

44Pad Record modePad Track Controls: Sound/ExpressionFrom PadChoose this option to select the source Pad to copy the ChordVar iation from . Touch the

45Pad Record modePad Chord TableAdvancedRX NoiseUse these controls to adjust the volume of RX Noises in the cor-responding tracks. This control applie

46Pad Record modeExport: SMFInitializeCheck this parameter if you want all Pad settings (i.e., Key/Chord, Chord Table, Sound…) are reset when loading

47Pad Record modeWrite Pad dialog boxAdvancedWrite Pad dialog boxOpen this window by selecting the Write Pad item from the pagemenu. Here you can save

3Style Record modeThe Style structureAdvancedBy entering the Style Record mode, you can create your ownStyles, or edit an existing Style.The Style str

48Sound operating modeThe MIDI channelThe Sound operating mode is where you can listen to individualSounds, and edit them.To select a Sound, see the “

49Sound operating modeMain pageAdvancedBankBank the current Sound belongs to.Bank Select / Program Change sequenceBank Select MSB / Bank Select LSB /

50Sound operating modeDigital Drawbars pageSelected EffectNon editable. This shows the effect assigned to the correspond-ing FX processor. To select a

51Sound operating modeEdit menuAdvancedTone/Noise tabTone is the timbre of the sound. Noises are mechanical noisesfrom the keyboard and the tonewheels

52Sound operating modeEdit page structureEdit page structureAll edit pages share some basic elements.Operating modeThis indicates that the instrument

53Sound operating modeBasic: OSC BasicAdvancedLegatoThis parameter is only available when the selected mode isMono. It is the same found on the main p

54Sound operating modeBasic: OSC Basic1st…6th The sound will begin from the offset location pre-determined for each sample.No Attack The initial porti

55Sound operating modeBasic: Vel/Key ZoneAdvancedHint: This is especially useful to trigger differentsound nuances or create vector-like soundsequence

56Sound operating modeBasic: Damper ModeBasic: Damper ModeHere you can program how the Damper pedal works, the Reso-nance/Halo effect, and the range w

57Sound operating modeBasic: Damper TriggerAdvancedBasic: Damper TriggerHere you can set the notes triggered by pressing and releasingthe Damper Pedal

4Style Record modeStyle/Pad Import/ExportJust to summarize, when you play a chord on the chord recogni-tion area, the arranger determines which Style

58Sound operating modeDrumKit: Sample Setup (Drum Kits)DrumKit: Sample Setup (Drum Kits)This page appears when you edit a Drum Kit. Here you canselect

59Sound operating modeDrumKit: EQ (Drum Kits)Advancedthe Off or 1st Offset, when playing loudly you will select the 6thor No Attack Offset.When the “I

60Sound operating modeDrumKit: Voice Mixer (Drum Kits)DrumKit: Voice Mixer (Drum Kits)This page appears when you edit a Drum Kit. Here you can setvari

61Sound operating modePitch: Pitch ModAdvancedPitch: Pitch ModHere you can make pitch settings for each oscillator. These set-tings specify how keyboa

62Sound operating modePitch: Pitch ModPitch EG AMS (Alternate Modulation Source)This parameter selects the source that will modulate the pitchEG of th

63Sound operating modePitch: Pitch EGAdvancedPitch: Pitch EGHere you can make settings for the pitch EG, which creates time-variant changes in the pit

64Sound operating modeFilter: Filter TypeAt (Attack Level Swing)This parameter specifies the direction of change in “AttackLevel” caused by “AMS1/2”.

65Sound operating modeFilter: Filter ModAdvancedResonance (Resonance A)The resonance emphasizes the overtone components that lie inthe region of the c

66Sound operating modeFilter: Filter ModTracking to A/BThese parameters specify the note numbers at which keyboardtracking will begin to apply, and se

67Sound operating modeFilter: Filter LFOAdvancedFilter: Filter LFOHere you can use the filter LFO to apply cyclic modulation to thecutoff frequency of

5Style Record modeExit by saving or deleting changesAdvancedNote: While in Record mode, the footswitch and EC5 pedals aredisabled. On the contrary, vo

68Sound operating modeFilter: Filter EGStartThis parameter specifies the change in cutoff frequency at thetime of note-on.-99…+99 Level value.AttackTh

69Sound operating modeAmp: Amp Level/PanAdvancedTime ModulationAMS1/2Use this parameter to selecthe source that will control the “Time”parameters of t

70Sound operating modeAmp: Amp Modas you play higher), and toward the left as the note numbersdecrease (i.e., as you play lower). Negative (–) values

71Sound operating modeAmp: Amp EGAdvancedDiagramThe diagram on top of the page shows the Amplitude envelopeline.LevelThese parameters are the level of

72Sound operating modeLFO: LFO1Time ModulationThese parameters let you use an alternate modulation source tomodify the amp EG times that were specifie

73Sound operating modeLFO: LFO1AdvancedFrequencySet the LFO frequency. A setting of 99 is the fastest.00…99 Frequency rate.OffsetThis parameter specif

74Sound operating modeLFO: LFO2LFO: LFO2Here you can make settings for the LFO2, which is the secondLFO that can be applied to the selected oscillator

75Sound operating modePage menuAdvancedPage menuTouch the page menu icon to open the menu. Touch a commandto select it. Touch anywhere in the display

76Sound operating modeCopy Oscillator dialog boxNameName of the Sound to be saved. Touch the (Text Edit) but-ton next to the name to open the Text E

77Sound operating modeAMS (Alternate Modulation Source) listAdvancedAMS (Alternate Modulation Source) listFlt KTrk +/+ (Filter Keyboard Track +/+)Flt

6Style Record modeMain page - Record 1Main page - Record 1After having pressed the RECORD button, and having chosenwhether you want to edit an existin

78Sound operating modeAMS (Alternate Modulation Source) list+/0 The sign of the “Ramp Low” setting will deter-mine the direction of its effect. “Ramp

79Sampling operating modeEntering and exiting the Sampling modeAdvancedPa3X includes a full-featured sampler, with powerful tools forcreating (a) new

80Sampling operating modeThe Record (Sampling) procedureRecordingNext, you’ll record the sound or audio groove.1. If you can, start first the source

81Sampling operating modeEdit menuAdvancedWar n ing: Generated MIDI Grooves will be deleted whenturning the instrument off. Import them to a Style tra

82Sampling operating modeSampling: Editwill be saved as mono files. Stereo samples will be saved as two sep-arate mono files, and will be treated as m

83Sampling operating modeSampling: Loop EditAdvancedWhen editing audio grooves, the Loop Start should match theSample Start point. This parameter usua

84Sampling operating modeSampling: Sampling InfoUse ZeroSee “Use Zero” on page 83.Loop LockThis fixes the length of the loop being edited.Off The “Loo

85Sampling operating modeTime SliceAdvancedDrum SamplesNumber of drum samples in memory.MultisamplesNumber of multisamples in memory.Available MemoryR

86Sampling operating modeTime SliceEx.1 - Generating samples and MIDI Groove data:Ex.2 - Varying the groove’s tempoEx.3 - Recombining MIDI notes and s

87Sampling operating modeTime SliceAdvancedMetronome InformationMeterUse this parameter to specify the Meter of the original sample.MeasuresUse this p

7Style Record modeMain page - Record 1AdvancedWa r ni ng : If you assign CV Length a value lower than Rec Length,the value of Rec Length is not immed

88Sampling operating modeThe Time Slice procedureLong This option is most suitable for cymbals, whosesound should be sustained up until the next note.

89Sampling operating modeThe Extend procedureAdvancedThe Extend procedure1. Set the By parameter, according to the tempo of the grooveyou will use.

90Sampling operating modeMultisample: Key AssignPitchFine tuning of the selected sample in cents (1 cent = 1/100 of asemitone).From … ToRange of the s

91Sampling operating modePage menuAdvancedTrim/CropSelect this command to cut all parts of the sample out of theselected range (i.e., out of the “Star

92Sampling operating modeWrite Sample dialog boxCompress all samplesWhen there is no more space in the Sample memory for yoursamples, you can compress

93Sampling operating modeDelete Sample dialog boxAdvancedNameTo assign a different name to the Sound, touch the (TextEdit) button to open the Text E

94Sampling operating modeExport Multisample pageThen touch the Save button to see the Export Sample dialog box:Original NameName of the sample being e

95Voice ProcessorAccessing the Voice Processor edit pagesAdvancedThe Voice Processor applies effects, doubling and four-part har-mony to your voice. S

96Voice ProcessorVoice Processor Setup: Mic ToneVoice Processor Setup: Mic ToneIn this page you can set parameters for the microphone input,choosing t

97Voice ProcessorVoice Processor Setup: Mic ToneAdvanced•High band shelvingThe 2 “Shelving” EQs boost or cut all frequencies below or abovethe the fr