Korg TRITON STUDIO music workstation Bedienungsanleitung

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x8. Appendices . . . . . . . . . . . . . . . . . . . . . . . . 221Alternate Modulation Source (AMS) . . . . . . . . . . . .221About Alternate Modula

904.4–3: 4–2..8 (MIDI Filter4–2 T01...08)4.4–4: 4–2..16 (MIDI Filter4–2 T09...16)4.4–3(4)a: Foot Pedal/Switch, Other Control ChangeFoot Pedal/Switch [

7.17.27.31.11.22.12.22.33.13.23.33.44.14.24.34.45.15.26.16.26.36.4SEQ915–1–1b: Pattern, Metro. (Metronome)Pattern:Pattern (Pattern Bank) [Preset, User

923 If you check “All Pattern,” all user patterns in the song will be erased.If “All Patterns” is not checked, only the pattern speci-fied in 1 will be

7.17.27.31.11.22.12.22.33.13.23.33.44.14.24.34.45.15.26.16.26.36.4SEQ932 In “Pattern” and “Pattern Select,” select the “put” source pattern. (By defau

94KEY (Key Select) [C#2...C8]Indicates the key that you wish to edit. The following parameters will apply to the key that you select here.This can als

7.17.27.31.11.22.12.22.33.13.23.33.44.14.24.34.45.15.26.16.26.36.4SEQ95 5.1–2c: REVERTRevertThis copies “Pat (Pattern Bank),” “Pattern Select” and “T

96It is best to use the “Create/Ers. Ctrl” Create mode to input data whose data whose value changes continuously, such as pitch bend, and to use “Even

7.17.27.31.11.22.12.22.33.13.23.33.44.14.24.34.45.15.26.16.26.36.4SEQ973 Press the [F8] (“OK”) key to open the Event Edit dialog box.4 Use the cursor

981 Select “Copy/Bounc. Trk” to access the dialog box.2 Set “Mode” to either Copy or Bounce.3 Set “From” to the copy source (bounce source) track, and

7.17.27.31.11.22.12.22.33.13.23.33.44.14.24.34.45.15.26.16.26.36.4SEQ99Insert MeasureThis command inserts the specified number of measures into the spe

1PROG 1.1 2.12.22.33.14.14.25.15.25.36.16.26.36.47.17.27.31. Program modeUse the following procedure to select the desired page within the mode.1 Pres

1005 In “To: Song,” specify the copy destination song. In “Track” (when “All Tracks” is unchecked) specify the copy destination track. In “Measure,” s

7.17.27.31.11.22.12.22.33.13.23.33.44.14.24.34.45.15.26.16.26.36.4SEQ1013 Specify the region from which the control data will be erased. Use “From Mea

1024 Specify the range of notes that you wish to shift or erase. “Note Range: Btm (Bottom)” specifies the lower limit, and “Top” specifies the upper lim

7.17.27.31.11.22.12.22.33.13.23.33.44.14.24.34.45.15.26.16.26.36.4SEQ103Here you can make settings for the KARMA functions used in Sequencer mode. A S

104 6.1–1d: UTILITY☞ “Memory Status,” “Solo Selected Track,” “Rename Song,” “Delete Song,” “Copy From Song,” “Copy From Combi,” “FF/REW Speed,” “Set

7.17.27.31.11.22.12.22.33.13.23.33.44.14.24.34.45.15.26.16.26.36.4SEQ1054 Set KARMA module [B] as follows.“GE Select”: a riff of GE category Bass“Inpu

1065 Set KARMA module [B] as follows.“GE Select”: a riff of GE category Bass“Input Channel”: 02“Output Channel” 026 Set KARMA module [C] as follows.“G

7.17.27.31.11.22.12.22.33.13.23.33.44.14.24.34.45.15.26.16.26.36.4SEQ107 6.1–4b: UTILITY☞ “Memory Status,” “Solo Selected Track,” “Rename Song,” “Del

108Here you can set the KARMA module parameters. In Sequencer mode, you can use four KARMA modules (mod-ules [A], [B], [C], and [D]) just as in Combin

7.17.27.31.11.22.12.22.33.13.23.33.44.14.24.34.45.15.26.16.26.36.4SEQ1096.2–2b: Clock Advance☞ p.32 PROG 6.2–2b: Clock AdvanceMode (Clk Adv. Mode) [Au

2In this display page you can select and play programs.All MIDI data in PROG 1.1: Play is transmitted and received on the Global MIDI Channel (☞GLOBAL

110☞ p.34 PROG 6.4–1: RTP..4 (RT Parameter 1–4), 6.4–2: RTP..8 (RT Parameter 5–8)6.4–1: RTP..4 (RT Parameter 1...4)6.4–2: RTP..8 (RT Parameter 5...8)6

7.17.27.31.11.22.12.22.33.13.23.33.44.14.24.34.45.15.26.16.26.36.4SEQ1116.4–4(5)b: UTILITY☞ “Memory Status,” “Solo Selected Track,” “Rename Song,” “De

112 7.1–1(2)b: UTILITY☞ “Memory Status”, “Solo Selected Track”, “FF.REW Speed”, “Set Location” (1.1–1d), “DKit IFX Patch” (COMBI 7.1–1b)Copy Insert E

7.17.27.31.11.22.12.22.33.13.23.33.44.14.24.34.45.15.26.16.26.36.4SEQ1137.2–1b: Control ChannelControl Channel [Ch01...16, All Rt.]Indicates the MIDI

114MFX1, 2 Control Ch [Ch01...16, G ch]Specifies the MIDI channel that will control dynamic modulation (Dmod) for the master effects.G ch: The effect w

115S.PLAY1.12.22.33.14.14.26.16.26.36.47.17.27.34. Song Play modeIn Song Play mode you can load Standard MIDI Files (SMF) from floppy disk and play the

116NameThis displays the song name of the selected SMF.Play (Track Select) [Track01[Ch01]...Track16[Ch 16]]Indicates the track (channel) that will sou

S.PLAY1.12.22.33.14.14.26.16.26.36.47.17.27.31171.1–2: Prog..8 (Program T01...08)1.1–3: Prog..16 (Program T09...16)Specifies the program used by each

118Volume [0...127]Sets the volume of each track (channel) 1–16.Tracks whose “Status” (3.1–1(2)a) is INT or BTH can receive MIDI control change (CC) #

S.PLAY1.12.22.33.14.14.26.16.26.36.47.17.27.31191 Select Song Play mode.2 The position of knob 1 at the time you entered Song Play mode will be the ce

PROG 1.1 2.12.22.33.14.14.25.15.25.36.16.26.36.47.17.27.332 When you press a numeric key [0]–[9], the second digit of the program number will be input

1203.1–1: Param..8 (Status/Scale T01...08)3.1–2: Prm..16 (Status/Scale T09...16)3.1–1(2)a: StatusStatus [INT, Off, BTH, EXT]Specifies whether each trac

S.PLAY1.12.22.33.14.14.26.16.26.36.47.17.27.3121This can be selected and viewed from the page menu if “Jukebox” (1.1–1a) is not checked.4.1–1: Select

1224.2–1b: UTILITYFor details on how to select the desired utility function, refer to “PROG 1.1–1c: UTILITY.”Load Jukebox ListThis command loads the j

S.PLAY1.12.22.33.14.14.26.16.26.36.47.17.27.31236.1–1b: GE Name, Run Check Box, Solo Check BoxGE NameThis displays the name of the GE selected in “GE

1244 Set KARMA module [B] as follows.“GE Select”: a riff of GE category Bass“Input Channel”: 02“Output Channel” 025 In “Play (Track Select),” select T

S.PLAY1.12.22.33.14.14.26.16.26.36.47.17.27.31256.1–4: Key T (Key Thru)☞ p.27 PROG 6.1–2b: Key Z/Thru6.1–4a: Thru In Zone, Transpose InZ, Thru Out Zon

126 6.1–7b: UTILITY☞ “GM Initialize” (1.1–1b)“Solo Selected Track,” “Set Location” (SEQ 1.1–1d)“Copy KARMA Module” (PROG 6.1–1c)“Init KARMA Module” (

S.PLAY1.12.22.33.14.14.26.16.26.36.47.17.27.3127In Song Play mode, this can be turned on/off for each KARMA module. KARMA modules for which this setti

1286.4–1: RTP..4 (RT Parameter 1...4)6.4–2: RTP..8 (RT Parameter 5...8)☞ p.34 PROG 6.4–1: RTP..4 (RT Parameter 1–4), 6.4–2: RTP..8 (RT Parameter 5–8)6

S.PLAY1.12.22.33.14.14.26.16.26.36.47.17.27.3129 6.4–4(5)b: UTILITY☞ “GM Initialize” (1.1–1b)“Solo Selected Track,” “Set Location” (SEQ 1.1–1d)“Copy

4Octave [–03...+00...+03]An adjustment of +01 will raise the pitch one octave.An adjustment of –01 will lower the pitch one octave.This setting cannot

130 7.1–1(2)b: UTILITY☞ “GM Initialize” (1.1–1b), “Solo Selected Track,” “Set Loca-tion,” (SEQ 1.1–1d), “Copy Insert Effect,” “Swap Insert Effect,” “

S.PLAY1.12.22.33.14.14.26.16.26.36.47.17.27.3131 7.2–1c: UTILITY☞ “GM Initialize” (1.1–1b), “Solo Selected Track,” “Set Loca-tion,” (SEQ 1.1–1d), “C

1327.3–1d: Master EQ Gain [dB]Low [–18.0...+18.0]Mid [–18.0...+18.0]High [–18.0...+18.0]This is the same as in Program mode. (☞p.40 PROG 7.3–1: Setup)

1331.12.13.14.15.16.1GLOBAL5. Global modeIn Global mode you can make settings that affect the entire instrument, such as master tuning, MIDI, and memo

134Velocity Curve [1…8]This specifies the way in which the volume and/or tone will change in response to how hard you play (velocity).When “Convert Pos

1.12.13.14.15.16.1GLOBAL135MFX1 Off [Off, On]On (checked): MFX1 will be disabled.Off (unchecked): The Master Effect Setup page (7.3–1) “MFX1 On/Off” s

1361.1–2: Pref. (System Preference)1.1–2a: System PreferenceBank Map [KORG, GM(2)]Specifies the mapping of programs and combinations rela-tive to Bank

1.12.13.14.15.16.1GLOBAL1372.1–1: MIDIHere you can make MIDI-related settings that affect this instrument.2.1–1a: MIDI Setup MIDI Channel [1…16] Sets

138Convert Position [Pre MIDI, Post MIDI]This setting specifies the location at which the Transpose, Velocity Curve, and After Touch Curve settings wil

1.12.13.14.15.16.1GLOBAL139Ctrl Change (Control Change) [Off, On]On (checked): Control change messages will be transmitted and received.Off (unchecked

PROG 1.1 2.12.22.33.14.14.25.15.25.36.16.26.36.47.17.27.351.1–3: KARMAMake KARMA function-related settings that will be used by the program.Here you c

140ReceptionDo not touch this instrument’s switches or turn off the power while data is being received.Before receiving data, we recommend that you cl

1.12.13.14.15.16.1GLOBAL141Copy ScaleThis command copies a preset scale or user scale to the user scale that you wish to edit. For details on the pres

142Here you can create a drum kit by assigning a drum instru-ment (drumsample) to each key.A drum kit you edit here can be selected in Program mode PR

1.12.13.14.15.16.1GLOBAL143Vel. SW L→H (Velocity SW Lo→Hi) [001...127]Specifies the velocity value at which you will switch from the Low drumsample to

144Rename Drum KitThis command renames the selected drum kit. You can input a name of up to sixteen characters. (☞BG p.39)Copy Drum KitThis command co

1.12.13.14.15.16.1GLOBAL145Enable Note Off (Note Off Receive)On (checked): Note-off messages will be received. Normally you will uncheck this. This pa

1466.1–2: KARMA16.1–3: KARMA2Here you can assign control change messages to the KARMA Real-time Controls knobs and keys.When you operate the KARMA Rea

1.12.13.14.15.16.1GLOBAL1476.1–3a: KARMA Real-time ControlsON/OFF (ON/OFF Assign) [Off...CC#95]Assigns a control change message to the KARMA Real-time

148

1491.1DISK6. Disk modeIn Disk mode you can save and load internal memory data to and from a floppy disk.You can also make various setting related to sa

61.1–4: K.RTC (KARMA RTC)1.1–4a: RT Knob/SW NameThis displays the names of KARMA real-time controls knobs [1]–[8] and switches [1]/[2], and the settin

150In Disk mode you can press the [F1]–[F4] keys located below the tab to select the desired page.Here you can load a selected file or directory into i

1.1DISK1511) Load .PCG: selected icon All data in the .PCG file will be loaded.1 Use the “Load ****** .SNG too” check boxes to select the .SNG file.If

1526) Load Combination Bank [A...F] : selected icon All combinations in the selected bank will be loaded into the bank you specify.1 In “To,” specify

1.1DISK15316) Load Pattern Data: selected icon The selected user pattern will be loaded into a user pattern of the selected loading destination song.

1543 Press the [F6] (“S.Item”) key to access the “Select Save Items” dialog box, and select the data that you wish to save.Use the bank and Global Set

1.1DISK155Save Exclusive (Receive and Save MIDI Exclusive Data)This command receives exclusive data, accumulates it in the unused portion of the inter

156[Example]PRELOAD1.* : PRELOAD1.PCG, PRELOAD1.SNG, ...PRELOAD?.PCG : PRELOAD1.PCG, PRELOAD2.PCG, PRELOAD3.PCG, ...When wildcards are used, only files

1.1DISK157When the dialog box appears, “Volume Label” will show the volume label that had been specified before formatting. If a disk that has no volum

158

159Effect7. Effect GuideThe effects section of KARMA consists of five-channel Insert Effects, two-channel Master Effects, a single-channel Mas-ter EQ (

PROG 1.1 2.12.22.33.14.14.25.15.25.36.16.26.36.47.17.27.37Here you can make basic settings for the oscillator(s) that will be used.2.1–1: Basic (Prog

160Sequencer modeSong Play mode*1Some effects may not have these parameters.1. In/OutInsert Effects (IFX 1, 2, 3, 4, 5) have a stereo input and a ste-

Effect161If you wish to connect IFX in series, make “Chain” (PROG 7.2–1a) settings. If you set “Chain” of IFX1 to , the output of IFX1 will be sent t

162For example, if the snare-type sounds are set to IFX1 and the kick-type sounds are set to IFX2, and you wish to use differ-ent effects than timbres

Effect1634. Controlling the Insert Effects via MIDIUsing the Dynamic Modulation (Dmod) function enables you to control all effect parameters in real-t

1642. RoutingYou can use up to two channels (MFX1 and 2) for the Master Effects in any mode. If you are not using any Insert Effects in any mode, the

Effect165The following examples are in Combination mode. In figure (1), “BUS Select” is set so that Timbre 1 is routed to IFX1, Timbre 2 to IFX2, Timbr

1664. Controlling the Master Effects via MIDIYou can use the Dynamic Modulation (Dmod) function to control all Master Effects parameters in real-time

Effect167Combination, Sequencer, Song Play modePanTimbre / Track 1BUS Select= L/RSend1Select from:(DKIT)L/R IFX1IFX2IFX3 IFX4 IFX5121/2OffIFX2 BUSIFX2

168Filter and dynamics control effects000: No EffectSelect this option when you do not wish to use any effects. The Insert Effect section outputs unpr

Effect169a: EnvelopeWhen L/R Mix is selected for this parameter, the left and right channels are linked to control the Limiter using the mixed signal.

8Key [C…B]Indicates the tonic note of the specified scale.This setting is not valid for Equal Temperament, Stretch, and User All Notes Scale.Random [0…

170e: Low Offset, f: Mid Offset, g: High OffsetThese parameters set the gain of the trigger signal.For example, if you do not want to apply compressio

Effect171a: WahThe Wah parameter switches the wah effect on/off.a: (Sw)This parameter sets how the wah effect is switched on and off via the modulatio

172d: B2 Dyn.G Src, d: (Amount), f: GYou can control the gain of Band 2 using the modulation source.008: St.Graphic7EQ (Stereo Graphic 7-Band EQ)This

Effect173a: FreqBottm, a: FreqTopThe sweep width and direction of the wah filter are determined by the “FreqBottm” and “FreqTop” settings.b: Swp ModeTh

174When “LFO Wave” is set to Random, the “Step” parameter uses a random LFO cycle.b: LFO PhaseOffsetting the left and right phases alters how modulati

Effect175a: OSC Mode, b: Note Interval, c: FineThe “OSC Mode” parameter selects the oscillator operation mode. When Note (Key Follow) is selected, the

176014: St.Decimator(Stereo Decimator)This effect creates a rough sound like a cheap sampler by low-ering the sampling frequency and data bit length.

Effect177Pitch/phase modulation effects016: St.Chorus(Stereo Chorus)This effect adds thickness and warmth to the sound by modu-lating the delay time o

178e: Hi/Lo SplitThis parameter sets the frequency that splits the high and low range. Only the high range will be sent to the chorus block.g: Feedbac

Effect179020: St.Flanger(Stereo Flanger)This effect gives a significant swell and movement of pitch to the sound. It is more effective when applied to

PROG 1.1 2.12.22.33.14.14.25.15.25.36.16.26.36.47.17.27.39If a program that uses a multisample from a separately sold EXB-PCM series board is selected

180022: St.Env.Flanger(Stereo Envelope Flanger)This Flanger uses an envelope generator for modulation. You will obtain the same pattern of flanging eac

Effect181024: St.Rndm Phasr (Stereo Random Phaser)This is a stereo phaser. The effect uses a step-shape waveform and random LFO for modulation, creati

182026: St.BiphaseMod(Stereo Biphase Modulation)This stereo chorus effect adds two different LFOs together. You can set the Frequency and Depth parame

Effect183“AUTOFADE Src”=Gate1, “Freq”=1.00 Hz“LFO Freq Mod”=AUTOFADE, “(Amount)”=+3.00The effect is off when a value for the dynamic modulation source

184a: Ctrl, e: V1 Reso, h: V2 ResoThis parameter determines the resonance intensity.When “Ctrl” = Manual, the “Reso” parameter sets the intensity of r

Effect185031: ScratchThis effect is applied by recording the input signal and mov-ing the modulation source. It simulates the sound of scratches you c

186Other modulation and pitch shift effects032: St.Tremolo(Stereo Tremolo)This effect modulates the volume level of the input signal. The effect is st

Effect187034: St.Auto Pan(Stereo Auto Pan)This Auto Pan effect pans sound between left and right. It is stereo, and shifting the left and right LFO ph

188a: Type, b: LFO PhaseSelect the type of phaser LFO and tremolo LFO for the “Type” parameter. How the effect sound moves or rotates depends on the t

Effect189037: DetuneUsing this effect, you can obtain a detune effect that offsets the pitch of the effect sound slightly from the pitch of the input

10 2.1–2e. UTILITY☞ “Write Program” (1.1–1c), “Copy Oscillator,” “Swap Oscillator” (2.1–1d)For details on how to select the desired utility function,

190039: PitchShft Mod (Pitch Shift Modulation)This effect modulates the detuned pitch shift amount using an LFO, adding a clear spread and width to th

Effect191only when you press the pedal or operate the joystick.Rotation will occur when the value of the modulation source is less than 64, and will s

192042: Auto ReverseThis effect records the input signal and automatically plays it in reverse (the effect is similar to a tape reverse sound).a: Rec

Effect193044: St/Cross Dly(Stereo/Cross Delay)This is a stereo delay, and can by used as a cross-feedback delay effect in which the delay sounds cross

194046: St.Mod. Delay (Stereo Modulation Delay)This stereo delay uses an LFO to sweep the delay time. The pitch also varies. You will obtain a delay s

Effect195a: Ctrl TargetThis parameter selects no level control, delay output control (effect balance), or feedback amount control.a: Pol, b: Threshold

196a: BPM, b: L Bs, b: Times, c: C Bs, c: Times, d: R Bs, d: TimesThe delay time is the length of the note obtained by multiplying the “Bs” parameter

Effect197a: BPM, a: RhythmWith the tempo specified by the “BPM” parameter (or the MIDI Clock tempo if “BPM” is set to MIDI), the length of one beat equ

198without delay, emphasizing the attack of the sound.056: Rev Room(Reverb Room)This room-type reverb emphasizes the early reflections that make the so

Effect199Effects that combine two mono effects connected in series058: P4EQ–Exciter(Parametric 4-Band EQ – Exciter)This effect combines a mono-type fo

PROG 1.1 2.12.22.33.14.14.25.15.25.36.16.26.36.47.17.27.311SW1 Mode [Toggle, Momentary]Specifies the on/off state that will occur when you press the [S

200060: P4EQ–Cho/Fl(Parametric 4-Band EQ – Chorus/Flanger)This effect combines a mono-type four-band parametric equalizer and a chorus/flanger.h: OutWh

Effect201062: P4EQ–M.Dly (Parametric 4-Band EQ – Multitap Delay)This effect combines a mono-type four-band parametric equalizer and a multitap delay.0

202064: Comp–AmpSim(Compressor – Amp Simulation)This effect combines a mono-type compressor and an amp simulation. You can change the order of the eff

Effect203067: Comp–Cho/Fl(Compressor – Chorus/Flanger)This effect combines a mono-type compressor and a chorus/flanger. You can change the order of the

204069: Comp–M.Dly(Compressor – Multitap Delay)This effect combines a mono-type compressor and a multitap delay. You can change the order of the effec

Effect205071: Limit–Cho/Fl(Limiter – Chorus/Flanger)This effect combines a mono-type limiter and a chorus/flanger. You can change the order of the effe

206073: Limiter–M.Dly (Limiter – Multitap Delay)This effect combines a mono-type limiter and a multitap delay. You can change the order of the effect

Effect207076: Exct–Cho/Fl(Exciter – Chorus/Flanger)This effect combines a mono-type limiter and a chorus/flanger.077: Exct–Phaser(Exciter – Phaser)This

208079: OD/HG–AmpSim(Overdrive/Hi.Gain – Amp Simulation)This effect combines a mono-type overdrive/high-gain dis-tortion and an amp simulation. You ca

Effect209081: OD/HG–Phaser(Overdrive/Hi.Gain – Phaser)This effect combines a mono-type overdrive/high-gain dis-tortion and a phaser. You can change th

12JS (+X) [–60…+12]Specifies how the pitch will change when the joystick is moved all the way to the right. A setting of 12 produces 1 octave of change

210083: Wah–AmpSim(Wah/Auto Wah – Amp Simulation)This effect combines a mono-type wah and an amp simula-tion. You can change the order of the effect c

Effect211086: AmpSim–Trml(Amp Simulation – Tremolo)This effect combines a mono-type amp simulation and a trem-olo.087: Cho/Fl–M.Dly(Chorus/Flanger – M

212088: Phasr–Cho/Fl(Phaser – Chorus/Flanger)This effect combines a mono-type phaser and a chorus/flanger.089: Reverb–GateThis effect combines a mono-t

Effect213Double-size effects(Available for Insert Effects IFX2, 3, and 4)090: Piano Body (Piano Body/Damper Simulation)This effect simulates the reson

214093: VocoderThis effect applies the character of the right channel signal (Modulator) to the left channel signal input (Carrier). Sounds such as rh

Effect215094: MltTap ChoDly(Multitap Chorus/Delay)This effect has six chorus blocks with different LFO phases. You can produce a complex stereo image

216a: L/RWhen you select Up/Down for this parameter, the pitch shift amount for the right channel will be reversed. If the pitch shift amount is posit

Effect217097: Early Reflect(Early Reflections)This early reflection effect has more precise early reflections with twice the maximum length of a normal-si

218100: LCR BPM LDly(L/C/R BPM Long Delay)The L/C/R delay enables you to match the delay time with the song tempo. You can set the delay time up to 2,

Effect219f: Time Over? L >, f: R >You can set the delay time up to 1365msec. If the delay time exceeds this limit, the error message “OVER!” app

PROG 1.1 2.12.22.33.14.14.25.15.25.36.16.26.36.47.17.27.313As this value is increased, moving the joystick in the +Y direction will cause the OSC1 LFO

220Master EQUse 7.3–4: Master EQ in Program, Combination, Sequencer, and Song Play modes.You cannot use the Master EQ in Sampling mode.You cannot use

221Appendices8. AppendicesAbout Alternate ModulationAlternate Modulation can be specified for the following 29 types, in total, 55 alternate modulation

222AMS (Alternate Modulation Source) ListIn the above table, the parentheses ( ) indicate the type of source that can be used for each AMS.For example

Appendices223Flt KT +/+ (Filter Keyboard Track +/+)Flt KT +/– (Filter Keyboard Track +/–)Flt KT 0/+ (Filter Keyboard Track 0/+)Flt KT +/0 (Filter Keyb

224Alternate Modulation settingsWhen you operate an AMS (Alternate Modulation Source), the modulation destination will be affected as shown in the tab

Appendices225• If you select the same controller as an AMS and set separate intensities for Filter A (Low Pass Filter) “Intensity (A AMS1/2 Intensity)

226Amp LFO 1/2 Intensity (PROG 5.1–2b, 5.2)The amp modulation intensity of LFO 1/2 can be controlled by EG, keyboard tracking, controllers, or tempo e

Appendices227You can control certain effect parameters using the joystick, REAL TIME CONTROLS knobs, etc. “on the fly. ” Control-ling effects in this w

228In Program mode, dynamic modulation of the insertion effects and master effects is controlled via the global MIDI Channel.In Combination, Sequencer

Appendices229About the BPM/MIDI SYNC functionBPM/MIDI SYNC can be used for most effects that have an LFO, such as 009: St.Wah/AutoW(Stereo Wah/Auto Wa

143.1–5b: Level Mod. (Level Modulation)These settings allow the pitch EG “L (Level)” parameters to be controlled by alternate modulation.AMS1 (Level M

230The following functions can be assigned to the [SW1] or [SW2] keys.• For a Program, Combination, Song, or Song Play mode make the settings in 2.2:

Appendices231The following functions can be assigned to the REALTIME CONTROLS [1]-[4] knobs in B mode.• For Program, Combination, Song, or Song Play m

232The A mode functions of the REALTIME CONTROLS are fixed.Knob1-A: LPF Cutoff (Filter LPF Cutoff: CC#74)Control the low pass filter cutoff frequency of

Appendices233You can assign the function that will be controlled by an assignable pedal (separately sold Korg XVP-10 or EXP-2 option) connected to the

234Dynamic MIDI SourcesThe sources (Dynamic MIDI Sources) are organized into the following groupsJS +Y #01...JS X: Controller groupShort Note...Black

Appendices235Note In Z (Note In Zone)Notes within the key zone of the KARMA module (PROG 6.1–2a, COMBI/SEQ/S.PLAY 6.1–3a) will be the source.Use “Inpu

236Latch [M, T]Control “Note Latch” of the KARMA module.When you select Latch as the “Destination” and turn “A/B/C/D (Param Module A/B/C/D)” (6.4–3a/b

Appendices237Mdl Pause (Module Pause) [M, T]Controls KARMA module pause.Operating the selected source controller when the KARMA function is operating

238 Select a source from the Note, Note In Z, or Note Out Z note group.The “Pol (Polarity)” (6.4–3a/b/c/d) settings will be ignored.Chord analysis can

Appendices239Normally, playing a single C4 note will input C4 to the KARMA module, controlling the phrase or pattern. If you release the C4 and then p

PROG 1.1 2.12.22.33.14.14.25.15.25.36.16.26.36.47.17.27.315Indicates settings for filter 1 that controls the tone of oscilla-tor 1. You can select eith

240The following table shows the relation between the MIDI messages that are transmitted when this instrument’s con-trollers are operated, and the AMS

Appendices241This instrument’s controllerAvail-able for AMSAvail-able for DMODJoy StickValue SliderRealtime ControlsSW1,2KARMA Realtime ControlsChord

242The following table shows the operations that this instru-ment will perform when control change messages are received, and the relation between set

Appendices243Any control change number (CC#00–95) can be assigned as the B mode function of a REALTIME CON-TROLS knob. In this case, the transmitted v

244CC#76: LFO1 speedCorresponds to “LFO 1 Frequency” (PROG 5.3: Ed–LFOs, OSC1/2, LFO1 page).CC#77: LFO1 depth (pitch LFO1 intensity)Corresponds to “Pi

Appendices245 About MIDIMIDI stands for Musical Instrument Digital Interface, and is a world-wide standard for exchanging various types of musical da

246Local Control On settingsWhen connections are made as shown above, turn on the Echo Back function of the external MIDI sequencer or com-puter (so t

Appendices247 Program Change/Bank SelectChanging the program/bankProgram change [Cn, pp](n: channel, pp: program number that allows 128 sounds to be s

248 Control change[Bn, cc, vv]Transmitted and received as (n: channel, cc: control change no., vv: value)Refer to “MIDI transmission when this instrum

Appendices249Controlling panpot (stereo position)Panpot (CC#10) [Bn, 0A, vv](vv: value, where 00 is far left, 64 is center, and 127 is far right)When

164.1–2: Mod.1 (Filter1 Modulation1)Indicates settings for keyboard tracking which modifies the tone by modulating the filter 1 cutoff frequency “Freque

250• In Combination and Sequencer modes, transmission/reception of these messages can be turned on/off independently for each timbre/track (“SW1/2” CO

Appendices251KARMA Knob1 (CC#22) [Bn, 16, vv]KARMA Knob2 (CC#23) [Bn, 17, vv]KARMA Knob3 (CC#24) [Bn, 18, vv]KARMA Knob4 (CC#25) [Bn, 19, vv]KARMA Kno

252 About system exclusive messagesSince the way in which these messages are used is left up to each manufacturer, they are mainly used to transmit an

Appendices253After MIDI exclusive data has been received and processed, a Data Load Completed message will be transmitted. The control master device m

254 Recording musical data from an external deviceThere are two ways in which you can play back an external sequencer and record its playback on this

Appendices255Converting the GS/XG bank/program maps to the GM2 bank/program map• When bank select/program change messages used by GS/XG are received,

256AAre you sure?CCan’t calibrateCan’t copy/swap double size effectCan’t open pattern Continue ?CompletedDDestination and source are identicalDestinat

Appendices257File is read-only protectedFile unavailableFile/path not foundIIllegal file descriptionIllegal SMF dataIllegal SMF divisionIllegal SMF for

258No recording track specifiedNo space available on mediumNot enough memoryNot enough memory to loadNot enough memory to open patternPPattern conflicts

Appendices259You can’t undo this operation Are you sure ?Meaning: When you exit recording or event editing in Sequencer mode, the memory area for Und

PROG 1.1 2.12.22.33.14.14.25.15.25.36.16.26.36.47.17.27.317 4.1–2c: AMS, Into to A, Int to BAMS (Filter EG AMS) [Off, (EXT)]Indicates the source that

260This instrument can load and convert .PCG files and .SNG files from a TRITON keyboard model or the TRITON-Rack. However, please be aware of the follo

Appendices261MIDI IMPLEMENTATION[H]: Hex, [D]: DecimalKARMA-MUSIC WORKSTATION MIDI IMPLEMENTATIONOct,26,2000Consult your local Korg dealer for more in

262[H]: Hex, [D]: Decimal2.RECOGNIZED RECEIVE DATA2-1 CHANNEL MESSAGESStatus Second Third Description ( Use ... ) ENA [Hex] [H] [D] [H] [D]8n kk (kk

Appendices263[H] :Hex, [D] :DecimalStatus Second Third Description ( Use for ... ) [Hex] [H] [D] [H] [D]2-2 SYSTEM COMMON MESSAGESF2 ss (ss) tt (tt

264Please read this before you begin installationSafety precautionsWarnings• When installing, repairing, or replacing the parts of this product, you m

Appendices265Checking after installation When this instrument is turned on, the currently installed option boards will be shown in the LCD screen.Aft

2664 The notched side of the EXB-PCM is PIN 1. Install the EXB-PCM with its PIN 1 side aligned with the PIN 1 mark ( ) of the slot.5 At a slant, press

Appendices267Installing the EXB-MOSSBefore you perform the installation, be sure to read the fore-going section “Please note when installing an option

2680 Use four screws to fasten the EXB-MOSS to the EXB-MOSS cover.When doing so, position the EXB-MOSS on the EXB-MOSS cover as shown in the diagram.B

Appendices269By installing the separately sold EXB-MOSS option, you can add a MOSS tone generator to this instrument, and add MOSS program bank F.This

18JS–Y Int. to B (LFO1 JS–Y Int. to B) [–99…+99]By moving the joystick in the Y direction (toward yourself), you can control the depth at which OSC1 L

270AMPThis section contains two amps. The signal that is input to each will depend on the filter routing. In addition, the amp section provides an amp

Appendices271MOSS.SNGCue ListSong (TRITON, TRITON Pro, TRITON ProX song file)“Feet Hurt MOSS” by Scott Frankfurt©1999 Bleach Bros. Music (breachbros@ea

2723 Press the [F8] (“UTILITY”) key to access the utility menu, press the [F7] key to select “Load Select,” and press the [F8] (“OK”) key. The followi

Appendices2734 Select the COMBI 2.1: Ed-Prog/Mix, Prog page.5 For “Program Select,” choose a bank F program.6 Select the COMBI 2.1: Ed-Prog/Mix, Mixer

274CC#77: Pitch LFO Intensity“Modulation AMS1 Intensity,” “Modulation AMS2 Inten-sity” (PROG 3.1: Ed-Pitch, OSC 1/2 page)“Common Pitch Mod. AMS Intens

Appendices275ParametersFor details on the parameters, refer to the “EXB-MOSS owner’s manual” included with the EXB-MOSS.Parameter names given in the “

276Program ModePROG 1.1: Play1.1–1: ProgramThis is the same parameter as for programs of banks other than F.☞ PG p.2 PROG 1.1–1: Program1.1–2: P Edit

Appendices2772.1–4: Mixer1/2.1–5: Mixer2KARMA ☞p. EXB-MOSSOSC1 Level p.34 1–6a: Mixer1: OSC1 (OSC1 Output Level)AMS p.34 1–6a: Mixer1: AMS (Alternate

2782.3–2: WShape (Wave Shape)KARMA ☞p. EXB-MOSSInput Level p.15 1–3c: Wave Shape: Input (Input Level)AMS p.15 1–3c: Wave Shape: AMS (Alternate Modulat

Appendices2792.3–2: Mod. (Modulator)KARMA ☞p. EXB-MOSSModulator Wave p.19 1–3b: Modulator: WaveLevel p.19 1–3b: Modulator: Level • • •

PROG 1.1 2.12.22.33.14.14.25.15.25.36.16.26.36.47.17.27.319S (AMS SW Start) [–, 0, +]Specifies the direction in which “AMS (Level Mod. AMS)” will affec

280Cross Modulation☞p.22 “EXB-MOSS owner’s manual”2.3–1: CrossKARMA ☞p. EXB-MOSSInput p.22 1–3a: Wave: InputCarrier Wave p.22 1–3a: Wave: CarrierWa

Appendices281Brass Model☞p.25 “EXB-MOSS owner’s manual”2.3–1: BrassKARMA ☞p. EXB-MOSSInst Type p.25 1–3a: Inst Type: Inst TypeJump.Bend JS(+X) p.26 1–

282Plucked String Model☞p.29 “EXB-MOSS owner’s manual”2.3–1: StringKARMA ☞p. EXB-MOSSPicking Point p.29 1–3c: String: Picking PointAMS p.30 1–3c: Str

Appendices2832.3-2: BowKARMA ☞p. EXB-MOSSDifferential p.32 1–3a: Bow Speed: DifferentialEG p.31 1–3a: Bow Speed: EGInt p.31 1–3a: Bow Speed: Int (See

284PROG 4.1: Ed–Filter☞p.38 “EXB-MOSS owner’s manual”4.1–1: Filter1/4.1–3: Filter2KARMA ☞p. EXB-MOSSRouting p.38 3–1a: Routing: RoutingFilter2 p.38 3–

Appendices2855.1–3: AmpEGKARMA ☞p. EXB-MOSSA (Attack Level) p.41 4–3a: Level: Attack (Attack Level)B (Break Level) p.41 4–3a: Level: Break (Break Lev

286PROG 5.3: Ed–LFOs☞p.43 “EXB-MOSS owner’s manual”5.3–1…4: LFO1...LFO4KARMA ☞p. EXB-MOSSWaveform p.43 5–1a: LFO1: WaveformFrequency p.43 5–1a: LFO1:

Appendices287Sequencer ModeSEQ 2.3: MOSS2.3–1: MOSS☞p.272 “Editing a combination”☞p.273 “Sequencer, Song Play mode”Song Play ModeS.PLAY 2.3: MOSS2.3–1

288EXB-MOSS Parameter IndexEXB-MOSS. . . . . . . . . . . . . . . . . . . . . KARMA ParametersAA TrimFilter: Filter Type . . . . . . . . . . . . . . .

Appendices289Fbk (Feed Back)Comb Filter: Feedback . . . . . . . . . . . . . . . . . . . 2.3–1: Comb F: Feedback ☞p.278FeedbackOSC Mixer. . . . . . .

iii This “Parameter Guide” contains explanations and other information regarding the operations of the parameters and settings on this instrument.

20Sync Both EGsIf you select “Sync Both EGs” from the Utility menu and press the [F8] key, a check mark will appear at the left of “Sync Both EGs.” In

290Intensity (Modulation Depth AMS2 Intensity)Cross Modulation: Wave . . . . . . . . . . . . . . . . . . 2.3–1: Cross Mod: Mod. Depth ☞p.280Ring Modul

Appendices291QQBowed String Model: Peaking EQ . . . . . . . . . . . 2.3–2: Bowed Str: Bow: Peaking EQ ☞p.283Brass Model: Peaking EQ . . . . . . . . .

292Numerics000: No Effect 65, 160, 16310’s HoldCombination 44Program 2AAfterTouch Curve 134Convert Position 138All Rt. 66, 113, 130A

Appendices293FFade 24FF/REW Speed 73File index 121Filter 15, 16Filter EG 4, 17, 18, 20Filter Modulation 16, 17Filter Type 15Frequ

294MMaster EQ (MEQ) 41, 132, 166, 220Master EQ Gain[dB] 165MediaFormat Type 157Free Size 157Total Size 157Memory Protect 136MENU key

Appendices295TTemplate Song 72, 136Tempo 3, 25, 44, 70, 78, 91, 93, 115Track Edit 95Track Select 93Transpose 4Convert Position 138UU

PROG 1.1 2.12.22.33.14.14.25.15.25.36.16.26.36.47.17.27.3215.1–2a: Keyboard TrackThese parameters let you use keyboard tracking to adjust the volume o

225.1–3: EG (Amp1 EG) Indicates settings to specify how Amp 1 will cause the vol-ume of oscillator 1 to change over time.5.1–3a: Amp1 EGThese paramete

PROG 1.1 2.12.22.33.14.14.25.15.25.36.16.26.36.47.17.27.323I (AMS1 Intensity) [–99…+99]Specifies the depth and direction of the effect that “AMS1 (Time

24Here you can make settings for the LFO that can be used to cyclically modulate the Pitch, Filter, and Amp of oscillators 1 and 2. There are two LFO

PROG 1.1 2.12.22.33.14.14.25.15.25.36.16.26.36.47.17.27.3255.3–1c: MIDI/Tempo Sync. (Frequency MIDI/Tempo Sync.)Sync. (MIDI/Tempo Sync.) [Off, On]On (

26Here you can make KARMA function settings for use by the program. In Program mode you can use one KARMA mod-ule (module [A]).When you switch program

PROG 1.1 2.12.22.33.14.14.25.15.25.36.16.26.36.47.17.27.3276.1–2: Key Z/T (KeyZ/Thru)6.1–2a: Zone Map, KeyZone Bottom, KeyZone TopThe KARMA module is

286.1–3: RxFltr (Receive Filter)Specifies whether filters will be applied to the MIDI control data received by the KARMA module before it is passed on (

PROG 1.1 2.12.22.33.14.14.25.15.25.36.16.26.36.47.17.27.329GE Bend (GE Pitch Bend) [Off, On]Specifies whether to transmit the MIDI pitch bend messages

iv Table of Contents 1. Program mode . . . . . . . . . . . . . . . . . . . . . . . 1 PROG PAGE MENU. . . . . . . . . . . . . . . . . . . . . . . .

30Played on keyboard:Play chords in the order ofE4 G#4 B4 D#5 (EMaj7 first inversion)G#4 B4 D#5 E5 (EMaj7 second inversion)B4 D#5 E5 G#5 (EMaj7 third i

PROG 1.1 2.12.22.33.14.14.25.15.25.36.16.26.36.47.17.27.331 6.2–1d: UTILITY☞ “Write Program” (1.1–1c), “Copy KARMA Module,” “Init KARMA Module” (6.1–

326.2–2b: Clock AdvanceHere you can make settings for the clock that will operate the KARMA module. By using these settings in conjunction with the Dy

PROG 1.1 2.12.22.33.14.14.25.15.25.36.16.26.36.47.17.27.333Asgn (GE real-time Parameter Assign)[---, ...Dyn4]Here you can assign the controller for th

346.4–1: RTP ..4 (RT Parameter 1...4)6.4–2: RTP ..8 (RT Parameter 5...8)Here you can assign controllers for 29 different KARMA parameters (RT Parms) o

PROG 1.1 2.12.22.33.14.14.25.15.25.36.16.26.36.47.17.27.335Note Latch [0, +1]Assigns the “Note Latch” (6.2–2a) function.0: Off1: On☞ p.31 “Note Latch”

366.4–3: DynMIDI (Dynamic MIDI)Dynamic MIDI is a function that lets you use this instru-ment’s controllers and MIDI control messages to control specifi

PROG 1.1 2.12.22.33.14.14.25.15.25.36.16.26.36.47.17.27.337These settings specify the bus on which the output of the oscillator will be sent, and adju

38Copy Insert EffectThis command copies effect settings from Program, Combi-nation, Song, or Song Play mode.1 Select “Copy Insert Effect” to access th

PROG 1.1 2.12.22.33.14.14.25.15.25.36.16.26.36.47.17.27.339Separately from this setting, you can use control change #92 to turn off all insert effects

v 2. Combination mode . . . . . . . . . . . . . . . . . . . 43 COMBI PAGE MENU . . . . . . . . . . . . . . . . . . . . . . . . . 43COMBI 1.1: Play.

40 7.2–2(...6)a: UTILITY☞ “Write Program” (1.1–1c)7.2–7: Routing (Routing)7.2–7a: RoutingThis shows the status of the insert effect settings. (☞7.1–2

PROG 1.1 2.12.22.33.14.14.25.15.25.36.16.26.36.47.17.27.341 7.3–1d: UTILITY☞ “Write Program” (1.1–1c)For details on how to select the desired utility

42

43COMBI1.12.12.22.33.13.23.33.44.14.24.34.46.16.26.36.47.17.27.32. Combination modeFor details on how to select pages in Combination mode, refer to p.

44Category [00...15: name]This is the combination category display.All combinations are organized into sixteen categories. You can select a category,

COMBI1.12.12.22.33.13.23.33.44.14.24.34.46.16.26.36.47.17.27.3451.1–2: Prog (Timbre Program)Indicates the program that will be used by each timbre.1.1

46Select by CategoryCombinations or the programs used by each timbre can be selected by category.If you have selected “Combi Select,” selecting Utilit

COMBI1.12.12.22.33.13.23.33.44.14.24.34.46.16.26.36.47.17.27.3471.1-4: KARMAHere you can make KARMA settings that will be used by the combination. A c

481.1–5: K.RTC (KARMA RTC)1.1–5a: RT Knob/SW NameThis displays the name of the KARMA real-time Controls knobs [1]–[8] and switches [1]/[2], and the kn

COMBI1.12.12.22.33.13.23.33.44.14.24.34.46.16.26.36.47.17.27.349Here you can set the Combination mode functions of the B-mode functions of real-time C

vi 3. Sequencer mode. . . . . . . . . . . . . . . . . . . . . 69 SEQ PAGE MENU . . . . . . . . . . . . . . . . . . . . . . . . . . . .69SEQ 1.1: Pla

50MIDI Channel [01...16, Gch]Set the MIDI transmit/receive channel for each timbre 1–8.Gch: The timbre will use the channel that has been selected as

COMBI1.12.12.22.33.13.23.33.44.14.24.34.46.16.26.36.47.17.27.351Bend Range [PRG, –24...+24]Specifies the amount of pitch change that will occur when th

523.2–2: OtherSpecifies the delay from note-on until sound is produced for each timbre. Also specifies the scale.3.2–2a: Delay [ms], Use Prog’s ScaleDel

COMBI1.12.12.22.33.13.23.33.44.14.24.34.46.16.26.36.47.17.27.353 3.3–1c: UTILITY☞ “Write Combination,” “Solo Selected Timbre” (1.1–1c)3.3–2: Slope (K

543.4–2: Slope (Velocity Slope)3.4–2a: Top Slope, Bottom SlopeTop Slope [0…120]Specifies the number of velocity steps over which the origi-nal volume w

COMBI1.12.12.22.33.13.23.33.44.14.24.34.46.16.26.36.47.17.27.3554.1–2: MIDI 1–2 (MIDI Filter 1–2)4.1–2a: Damper CC#64, Portamento SW CC#65Damper CC#64

56Knob2 [Off, On]Specifies whether MIDI control change message #71 (inter-nal low pass filter resonance or high pass filter cutoff fre-quency) for the A

COMBI1.12.12.22.33.13.23.33.44.14.24.34.46.16.26.36.47.17.27.357Here you can make KARMA function settings for the combi-nation.In Combination mode you

586.1–2: MIDI I/OSpecifies the MIDI input/output channels for the four KARMA modules used by the combination.MIDI data from the keyboard or from MIDI I

COMBI1.12.12.22.33.13.23.33.44.14.24.34.46.16.26.36.47.17.27.3597 Turn the KARMA [ON/OFF] key off.When you play the keyboard, you will hear the bass o

vii SEQ 6.4: KARMA RT . . . . . . . . . . . . . . . . . . . . . . . . 110 6.4–1: RTP..4 (RT Parameter 1...4) . . . . . . . . . . . . . . . . . 1106.

60A/B/C/D KeyZone Bottom [C–1...G9]Specifies the bottom key (lower limit) of the key zone.A/B/C/D KeyZone Top [C–1...G9]Specifies the top key (upper lim

COMBI1.12.12.22.33.13.23.33.44.14.24.34.46.16.26.36.47.17.27.361A/B/C/D GE CC-A [Off, On]A/B/C/D GE CC-B [Off, On]A/B/C/D GE Env.1 [Off, On]A/B/C/D GE

62Note Latch [On, Off]☞ p.31 PROG 6.2–2a: Trigger/Latch, “Note Latch”In Combination mode, this can be turned on/off for each KARMA module. A KARMA mod

COMBI1.12.12.22.33.13.23.33.44.14.24.34.46.16.26.36.47.17.27.3636.4–1: RTP ..4 (RT Parameter 1...4)6.4–2: RTP ..8 (RT Parameter 5...8)☞ p.34 PROG 6.4–

646.4–4: Name16.4–5: Name26.4–4(5)a: Knob1...8, Switch1, 2Knob 1...8 [000: no name...]Switch 1, 2 [000: no name...]☞ p.36 PROG 6.4–4: Name1, PROG 6.4–

COMBI1.12.12.22.33.13.23.33.44.14.24.34.46.16.26.36.47.17.27.365Here you can specify the output bus for the program oscilla-tor of each timbre 1–8. Yo

667.1–2: Route (Routing)Specifies the bus to which the program used by each timbre 1–8 will be sent. Here you can also set the send levels to the maste

COMBI1.12.12.22.33.13.23.33.44.14.24.34.46.16.26.36.47.17.27.3677.2–2: IFX 1 (Insert Effect1)7.2–3: IFX 2 (Insert Effect2)7.2–4: IFX 3 (Insert Effect3

687.3–1d: MEQ CtrlMEQ Ctrl (MEQ Control Ch) [Ch01...16, G ch]Selects the MIDI channel that will control dynamic modulation (Dmod) for the master EQ.G

697.17.27.31.11.22.12.22.33.13.23.33.44.14.24.34.45.15.26.16.26.36.4SEQ3. Sequencer modeIn Sequencer mode you can use the built-in 16-track sequencer

viii 5. Global mode . . . . . . . . . . . . . . . . . . . . . . . 133 GLOBAL PAGE MENU . . . . . . . . . . . . . . . . . . . . . . .133GLOBAL 1.1:

70Meter [*/*, 1/4...16/16]This is the time signature at the current location of the song. The time signature can be changed at each measure.*/*: This

7.17.27.31.11.22.12.22.33.13.23.33.44.14.24.34.45.15.26.16.26.36.4SEQ71If “MIDI Clock” (GLOBAL 2.1–1a) is Internal, changing the song will cause Song

722 In “From,” select the copy source song number.3 Select the data that will be copied.All: Copy all musical data (e.g., track events and pat-terns)

7.17.27.31.11.22.12.22.33.13.23.33.44.14.24.34.45.15.26.16.26.36.4SEQ735 In “Pattern,” select the pattern that you wish to copy. If you press the [STA

741.1–2: Prog...8 (Program T01...08)1.1–3: Prog...16 (Program T09...16)Here you can make basic settings for playback and record-ing of songs and selec

7.17.27.31.11.22.12.22.33.13.23.33.44.14.24.34.45.15.26.16.26.36.4SEQ751.1–4: Mix..8 (Mixer T01...08)1.1–5: Mix..16 (Mixer T09...16)Here you can set t

76Manual Punch InSelect this method when you wish to use the [REC/WRITE] key or a foot switch to re-record selected portions of a previ-ously-recorded

7.17.27.31.11.22.12.22.33.13.23.33.44.14.24.34.45.15.26.16.26.36.4SEQ771.1–7: K.RTC (KARMA RTC)1.1–7a: RT Knob/SW NameThis screen displays the names o

78Track 1 will loop as follows.M001–M002–M003–M004–M003–M004–M003–M004…When “Play Intro” is not checkedTrack 1 will loop as follows.M003-M004-M003-M00

7.17.27.31.11.22.12.22.33.13.23.33.44.14.24.34.45.15.26.16.26.36.4SEQ792.1–1b: Step, Cue Edit-Song, Rep (Cue Edit-Repeat), FX (Cue Edit-Load FX)Here y

ix Mod./P.Shift . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 186 032: St.Tremolo (Stereo Tremolo) . . . . . . . . . . . . . . . .

80 2.1–1e: UTILITY☞ “Memory Status”, “FF/REW Speed”, “Set Location” (1.1–1d)Rename Cue ListThis command lets you rename the selected cue list.In the

7.17.27.31.11.22.12.22.33.13.23.33.44.14.24.34.45.15.26.16.26.36.4SEQ81Example) If Track Play Loop is M005–M008, and the master track contains 10 meas

822.2–1b: SW1/2 AssignHere yuo can assign functions to the front panel [SW1] and [SW2] keys (☞p.230 “SW1, SW2 Assign List”).Since the functions assign

7.17.27.31.11.22.12.22.33.13.23.33.44.14.24.34.45.15.26.16.26.36.4SEQ83MIDI Channel [01…16]Specifies the MIDI channel that the track will use to transm

84• If “Oscillator Mode” is Single or Double, MIDI RPN Coarse Tune messages can be received to control and change the “Transpose” setting, and Fine Tu

7.17.27.31.11.22.12.22.33.13.23.33.44.14.24.34.45.15.26.16.26.36.4SEQ853.2–3: Othr..8 (Other T01...08)3.2–4: Othr..16 (Other T09...16)Here you can mak

86 3.3–1(2)c: UTILITY☞ “Memory Status”, “Solo Selected Track”, “Rename Song”, “Delete Song”, “Copy From Song”, “Copy From Combi”, “Load Template Song

7.17.27.31.11.22.12.22.33.13.23.33.44.14.24.34.45.15.26.16.26.36.4SEQ873.4–3: Slp..8 (Slope T01...08)3.4–4: Slp..16 (Slope T09...16)3.4–3(4)a: Top Slo

88 4.1–1(2)b: UTILITY☞ “Memory Status”, “Solo Selected Track”, “Rename Song”, “Delete Song”, “Copy From Song”, “Copy From Combi”, “Load Template Song

7.17.27.31.11.22.12.22.33.13.23.33.44.14.24.34.45.15.26.16.26.36.4SEQ89Ribbon CC#16 [Off, On]Specifies whether MIDI control change message #16 (speci-fi