Korg PA80 Bedienungsanleitung

Правила эксплуатацииÂÍÈÌÀÍÈÅ: ïðè ïîëüçîâàíèè ýëåêòðè÷åñêèìè ïðèáîðàìè íå-îáõîäèìî ñîáëþäàòü ñëåäóþùèå ïðàâèëà.1. Ïðåæäå ÷åì ïðèñòóïèòü ê ýêñïëóàòàöèè

Lower/Chord Memory), ïåðåéäèòå íà ñòðàíèöó ðåäàêòèðîâà-íèÿ “Ñòðàíèöà 25 — PREF: CTL” (ðåæèì âîñïðîèçâåäåíèÿ ñòè-ëÿ, ñòð. 9-13). Åñëè êíîïêà

Ïðîãðàììû (óïîðÿäî÷åíû ïî íîìå-ðàì Program Change)Íèæå â òàáëèöå ïðèâîäèòñÿ ïîëíûé ñïèñîê çàâîäñêèõ ïðî-ãðàìì PA80, óïîðÿäî÷åííûõ ïî íîìåðà

CC32 CC32 PC Èìÿ Áàíê PA80 GM2121 8 17 RotaryOrgan Organ121 0 18 Rock Organ Organ +121 1 18 BX3 Velo Sw Organ121 2 18 Killer B Organ121 3 18 Dirty B

CC32 CC32 PC Èìÿ Áàíê PA80 GM2121 4 33 FingElBass3 Bass121 5 33 Stick Bass Bass121 0 34 Picked Bass Bass +121 1 34 Pick ElBass Bass121 2 34 PickElBas

CC32 CC32 PC Èìÿ Áàíê PA80 GM2121 4 55 BrassImpact Brass121 5 55 HitInIndia SFX121 6 55 Wild Arp Synth 2121 7 55 Flip Blip Synth 2121 0 56 Trumpet Tr

CC32 CC32 PC Èìÿ Áàíê PA80 GM2121 6 73 Flute Muted Woodwind121 7 73 WoodenFlute Woodwind121 8 73 Bambu Flute Woodwind121 9 73 Flute 2 Woodwind121 0 7

CC32 CC32 PC Èìÿ Áàíê PA80 GM2121 0 96 Ice Rain Synth 1 +121 1 96 MotionOcean Synth 1121 2 96 Caribbean Synth 1121 0 97 Soundtrack Synth 1 +121 1 97

CC32 CC32 PC Èìÿ Áàíê PA80 GM2121 0 126 Applause SFX +121 1 126 Laughing SFX +121 2 126 Screaming SFX +121 3 126 Punch SFX +121 4 126 Heart Beat SFX

Íàáîðû óäàðíûõÍèæå â òàáëèöå ïðèâîäèòñÿ ïîëíûé ñïèñîê ïðîãðàìì íàáîðîâóäàðíûõ PA80, óïîðÿäî÷åííûõ ïî íîìåðàì ñîîáùåíèé BankSelect-Program Change

Óñëîâíûå îáîçíà÷å-íèÿ: â òàáëèöàõ íàáîðîâóäàðíûõ èìåíè íàáîðàïðåäøåñòâóåò ñòðîêà120-õ-õ, êîòîðàÿ èñ-ïîëüçóåòñÿ äëÿ îáîçíà-÷åíèÿ íîìåðîâ ñ

120-0-3: AcousticKit 120-0-4: Std. Kit4 120-0-8: Room Kit1 120-0-9: HipHop Kit1Íîòà Ñýìïë Excl. Ñýìïë Excl. Ñýìïë Excl. Ñýìïë Excl.9 A-1 17 BD-House 1

16. Êíîïêè VARIATION 1 — 4 (NOTE LENGTH)!PERF, ! STYLEÊíîïêè èñïîëüçóþòñÿ äëÿ âûáîðà îäíîé èç ÷åòûðåõ âàðèàöèéòåêóùåãî ñòèëÿ. Êàæäàÿ âàðèàöèÿ ìîæåò îò

120-0-10: Jungle Kit 120-0-11: Techno Kit1 120-0-12: Room Kit2 120-0-13: HipHop Kit2Íîòà Ñýìïë Excl. Ñýìïë Excl. Ñýìïë Excl. Ñýìïë Excl.9 A-1 13 BD-Sq

120-0-14: Techno Kit2 120-0-15: Techno Kit3 120-0-16: Power Kit1 120-0-17: PowerKit2 Íîòà Ñýìïë Excl. Ñýìïë Excl. Ñýìïë Excl. Ñýìïë Excl.9 A-1 13 BD-S

120-0-24: Electro Kit 120-0-25: Analog Kit 120-0-26: House Kit1 120-0-27: House Kit2Íîòà Ñýìïë Excl. Ñýìïë Excl. Ñýìïë Excl. Ñýìïë Excl.9 A-1 19 BD-Hi

120-0-28: House Kit3 120-0-29: House Kit4 120-0-32: Jazz Kit 120-0-40: Brush Kit1Íîòà Ñýìïë Excl. Ñýìïë Excl. Ñýìïë Excl. Ñýìïë Excl.9 A-1 23 BD-Pop K

120-0-41: Brush V.S.2 120-0-48: OrchestraK 120-0-116: Arabian Kit 1 120-0-117: Arabian Kit 2Íîòà Ñýìïë Excl. Ñýìïë Excl. Ñýìïë Excl. Ñýìïë Excl.9 A-1

(ïðîäîëæåíèå)120-0-41: Brush V.S.2 120-0-48: OrchestraK 120-0-116: Arabian Kit 1 120-0-117: Arabian Kit 2Íîòà Ñýìïë Excl. Ñýìïë Excl. Ñýìïë Excl. Ñýìï

120-0-50: Bdrum & Sdrum 120-0-56: SFX Kit 120-0-64: Percus.Kit1 120-0-65: Latin P.KitÍîòà Ñýìïë Excl. Ñýìïë Excl. Ñýìïë Excl. Ñýìïë Excl.0 C-1 257

(ïðîäîëæåíèå)120-0-50: Bdrum & Sdrum 120-0-56: SFX Kit 120-0-64: Percus.Kit1 120-0-65: Latin P.KitÍîòà Ñýìïë Excl. Ñýìïë Excl. Ñýìïë Excl. Ñýìïë E

120-0-66: TRI-Per.KIT 120-0-67: i30 Perc.KitÍîòà Ñýìïë Excl. Ñýìïë Excl.0 C-11 C#-12 D-13 D#-14 E-15 F-16 F#-17 G-18 G#-19 A-110 A#-111 B-112 C0 322 R

(ïðîäîëæåíèå)120-0-66: TRI-Per.KIT 120-0-67: i30 Perc.KitNote Sample Excl. Sample Excl.83 B5 224 Agogo-Bell Off 119 SD-Orch.Roll 584 C6 183→182 Maraca

ñòðàíèöå òåêóùåãî ðåæèìà èëè äëÿ òîãî, ÷òîáû çàêðûòü ñòðà-íèöó ðåäàêòèðîâàíèÿ ãëîáàëüíûõ ïàðàìåòðîâ èëè ïàðàìåòðîâðåæèìà ðàáîòû ñ äèñêîì, íàæìèòå íà ê

ÏåðôîðìàíñûËþáîé èç ïåðôîðìàíñîâ ìîæíî îòðåäàêòèðîâàòü. Ïðèâåäåííóþ íèæå òàáëèöó ìîæíî èñïîëüçîâàòü â êà÷åñòâå îáðàçöà äëÿ ñïèñêàïåðôîðìàíñîâ.Íîìåð Áà

Óñòàíîâêè MIDIDEFAULT Master KbdSequencer1 Sequencer2Accordion1 Accordion2 Accordion3 Ext. Seq1 S1_Tr 1 Global S1_Tr 1 S2_Tr 1 Global Upp1 Upp1 S1_Tr

18. ЭффектыPA80 èìååò ÷åòûðå ïðîöåññîðà ýôôåêòîâ, ïðåäíàçíà÷åííûõäëÿ îáðàáîòêè ñèãíàëîâ âíóòðåííèõ òðåêîâ èëè àóäèî-âõîäîâ.Áëîê-ñõåìàÏðè îïèñàíèè

002: St.Compressor(Stereo Compressor)Ýôôåêò êîìïðåññèè óðîâíÿ âõîäíîãî ñèãíàëà. Èñïîëüçóåòñÿäëÿ ñóæåíèÿ äèíàìè÷åñêîãî äèàïàçîíà ñèãíàëà è ïîëó÷åí

æ Side PEQ Cutoff [Hz] 20...12.00 kHzÖåíòðàëüíàÿ ÷àñòîòà ýêâàëàéçåðà áîêîâîãî êàíàëàæ Q 0.5...10.0Äîáðîòíîñòü ýêâàëàéçåðà áîêîâîãî êàíàëàæ Gain [dB] -

êî÷àñòîòíóþ ñîñòàâëÿþùóþ ñèãíàëà, òî óñòàíîâèòå ïàðàìåòð“High Offset” òàê íèçêî, ÷òîáû óðîâåíü óïðàâëÿþùåãî ñèãíàëàâûñîêî÷àñòîòíîé ïîëîñû áûë âñåãäà ì

â Drive Mode Overdrive, Hi-GainÏåðåêëþ÷àåò ðåæèìû äèñòîðøåíà (ïåðåãðóç/ïåðåóñèëåíèå)ã Drive 1...100Ãëóáèíà äèñòîðøåíàã Pre Low-cut 0...10Ãëóáèíà ïîäàâ

å Q 0.5...10.0Äîáðîòíîñòü ïîëîñû 2 ñì. Fx: 006å Gain [dB] -18.0...+18.0 dBÊîýôôèöèåíò óñèëåíèÿ äëÿ ïîëîñû 2 æ Band3 Cutoff [Hz] 300...10.

á Src Off...TempoÈñòî÷íèê ìîäóëÿöèè ýôôåêòà “âàó-âàó”, åñëè “Sweep Mode” = D-modá Response 0...100Îïðåäåëÿåò ñêîðîñòü ðåàêöèè, êîãäà “Sweep Mode” = Au

â Amt -20.00...+20.00 HzÃëóáèíà ìîäóëÿöèè ÷àñòîòû LFOã LFO Step Freq (Frequency) [Hz] 0.05...50.00 Hz×àñòîòà øàãà LFO (÷àñòîòà, ìåíÿþùàÿñÿ ñ

35. EXIT/NOÈñïîëüçóåòñÿ äëÿ âûïîëíåíèÿ ðàçëè÷íûõ äåéñòâèé, ñâÿçàí-íûõ ñ îòìåíîé òåêóùåãî ñîñòîÿíèÿ:• âûõîä èç äèàëîãîâîãî îêíà;• îòðèöàòåëüíûé îò

æ Pre LEQ Gain [dB] -15.0...+15.0 dBÊîýôôèöèåíò óñèëåíèÿ ýêâàëàéçåðà íèçêèõ ÷àñòîò æ Pre HEQ Gain [dB] -15.0...+15.0 dBÊîýôôèöèåíò óñèëåíèÿ ýêâàëàéçåð

å Amt -20.00...20.00 HzÃëóáèíà ìîäóëÿöèè ÷àñòîòû LFOæ BPM/MIDI Sync Off, OnÏåðåêëþ÷àåò ñ èñïîëüçîâàíèÿ ÷àñòîòû LFO íà èñïîëüçîâàíèå òåìïà è äëèòåëüíîñ

015: Analog Rec(Stereo Analog Record)Ýôôåêò ìîäåëèðóåò øóì, âûçâàííûé öàðàïèíàìè è ïûëüþ íàìàãíèòíîì íîñèòåëå, èñïîëüçóåìîì ïðè àíàëîãîâîé çàïèñè

ê Wet/Dry -Wet...-1:99, Dry, 1:99..., WetÁàëàíñ îáðàáîòàííîãî è ïðÿìîãî ñèãíàëîâñì. Fx: 010, ê Src Off...TempoÈñòî÷íèê ìîäóëÿöèè áàëàíñà ýôôåêòàê Amt

â Tap2(180) [msec] 0...570 msÂðåìÿ çàäåðæêè îòáîðà 2 (ôàçà LFO = 180 ãðàäóñîâ)â Depth 0...30Ãëóáèíà õîðóñà îòáîðà 2â Level 0...30Âûõîäíîé óðîâåíü îòáî

ä Base (Base Note) %, $3, $, #3, #, "3, ", !Îïðåäåëÿåò äëèòåëüíîñòü íîòû, êîòîðàÿ çàäàåò ÷àñòîòó LFO ñì. Fx: 009ä Times õ1...õ16×èñëî íîò çà

á R Dly Bottom [msec] (R Delay Bottom) 0.0...50.0 msÍèæíÿÿ ãðàíèöà âðåìåíè çàäåðæêè ñèãíàëà ïðàâîãî êàíàëà ñì. Fx: 009á R Dly Top [msec] (R Delay Top)

æ: Resonance, ç: Wet/DryÃàðìîíèêè óñèëèâàþòñÿ íà ïèêàõ ïðè ìèêøèðîâàíèè çâóêàýôôåêòà è ïðÿìîãî ñèãíàëà, åñëè “Resonance” è “Wet/Dry”èìåþò

026: BiphaseMod.(Stereo Biphase Modulation)Ñòåðåîôîíè÷åñêèé ýôôåêò õîðóñà ñóììèðóåò äâà LFO. Äëÿêàæäîãî èç íèõ ìîæíî çàäàâàòü ñâîè çíà÷åíè

ç Src Off...TempoÈñòî÷íèê ìîäóëÿöèè áàëàíñà ýôôåêòàç Amt -100...+100Ãëóáèíà ìîäóëÿöèè áàëàíñà ýôôåêòàã: LFO Freq Mod, à: AUTOFADE Src, à: Fade-In Rate

46. TRANSPOSEÊíîïêè èñïîëüçóþòñÿ äëÿ èçìåíåíèÿ âûñîòûíàñòðîéêè âñåãî èíñòðóìåíòà ñ òî÷íîñòüþ äîïîëóòîíà. Âåëè÷èíà òðàíñïîíèðîâàíèÿóêàçûâàåò

â Mod. Depth -100...+100Äèàïàçîí èçìåíåíèÿ ãëóáèíû ðåçîíàíñà ïðè óïðàâëåíèè îò LFO/Dmodâ Trim 0...100Âõîäíîé óðîâåíü ðåçîíàòîðàã Voice1: Pitch C0...B8

å Amt -100...+100Ãëóáèíà ìîäóëÿöèè ïàíîðàìû ïåðåìåùàþùåãîñÿèñòî÷íèêà çâóêàæ Wet/Dry Dry, 1:99...,99:1 WetÁàëàíñ îáðàáîòàííîãî è ïðÿìîãî ñèãíàëîâ æ S

Mod./P.Shift ðàçäåëå îïèñàíû äðóãèå ýôôåêòû, îñíîâàííûå íà ìî-äóëÿöèè è ñäâèãå ÷àñòîòû.032: Tremolo(Stereo Tremolo)Ýôôåêò ìîäóëèðóåò óðîâåíü ãðîìê

×àñòîòà LFO “LFO speed” ïîëó÷àåòñÿ â ðåçóëüòàòå ñëîæåíèÿçíà÷åíèÿ ïàðàìåòðà “LFO Frequency [Hz]” ñî çíà÷åíèåì ïàðà-ìåòðà “Envelope Amount”, ó

â BPM/MIDI Sync Off, OnÏåðåêëþ÷àåò ñ èñïîëüçîâàíèÿ ÷àñòîòû LFO íàèñïîëüçîâàíèå òåìïà è äëèòåëüíîñòåé íîòñì. Fx: 009, â BPM MIDI, 40...240Îïðåäåëÿåò ò

à: Pre LPFÏàðàìåòð ïîçâîëÿåò îïðåäåëèòü ãëóáèíó äåìïôèðîâàíèÿ ñèã-íàëà âûñîêî÷àñòîòíîãî äèàïàçîíà, ïîäàâàåìîãî íà âõîä ýô-ôåêòà. Åñëè âõîäíîé ñèãíà

á: Pitch Shift [1/2tone], á: Src, á: Amt, â: Fine [cent], â: AmtÂåëè÷èíà ñäâèãà ÷àñòîòû îïðåäåëÿåòñÿ ñóììîé çíà÷åíèé ïà-ðàìåòðîâ “Pitch Shift” è “Fine

ã Horn Acceleration 0...100Óñêîðåíèå ÷àñòîòû âðàùåíèÿ ðóïîðà (âûñîêî÷àñòîòíûé äèíàìèê)ã Horn Ratio Stop, 0.50...2.00Ðåãóëèðóåò ñêîðîñòü âðàùåíèÿ ðóïîð

042: AutoReverse(Auto Reverse)Ýôôåêò çàïèñûâàåò ñèãíàë, à çàòåì âîñïðîèçâîäèò åãî â îá-ðàòíîì íàïðàâëåíèè.à Rec Mode Single, MultiÐåæèì çàïèñèá Revers

æ Spread 0...50Øèðèíà ñòåðåîôîíè÷åñêîé êàðòèíêè ýôôåêòàç Wet/Dry Dry, 1:99...,99:1 WetÁàëàíñ îáðàáîòàííîãî è ïðÿìîãî ñèãíàëîâ ç Src Off...TempoÈñòî÷

Êíîïêè F1 — F4. Ýòè êíîïêè ìîæíî èñïîëüçîâàòü íà ñòðàíèöåðåäàêòèðîâàíèÿ, åñëè îíà ñîäåðæèò ïàðàìåòðû, êîòîðûå ðàç-íåñåíû ïî 4 ñòîëáöàì (ñì. ðèñóíîê).Ñ

è Src Off...TempoÈñòî÷íèê ìîäóëÿöèè øèðèíû ñòåðåîôîíè÷åñêîéêàðòèíêè ýôôåêòàè Amt -100...+100Ãëóáèíà ìîäóëÿöèè øèðèíû ñòåðåîôîíè÷åñêîéêàðòèíêè ýôôåêòàê

à Control Target None, Out, FBÈñòî÷íèê êîíòðîëÿ: îòñóòñòâóåò, âûõîä, îáðàòíàÿ ñâÿçüà Polarity +, -Ïîçâîëÿåò çàäàòü ðåâåðñèâíîå óïðàâëåíèåá Threshold 0

049: LCR BPM DlyÝôôåêò çàäåðæêè ïîçâîëÿåò ñîãëàñîâàòü âðåìÿ çàäåðæêè ñòåìïîì ïåñíè. Àíàëîãè÷íî ìîæíî ñèíõðîíèçèðîâàòü âðåìÿ çà-äåðæêè ñ òåìïîì à

ã Amt L -100...+100Ãëóáèíà ìîäóëÿöèè ïàðàìåòðà “L Feedback”ä R Feedback -100...+100Ãëóáèíà îáðàòíîé ñâÿçè ïðàâîãî êàíàëà ä Amt R -100...+100Ãë

â EQ Trim 0...100Óðîâåíü ñèãíàëà íà âõîäå ýêâàëàéçåðàã Pre LEQ Gain [dB] -15...+15 dBÊîýôôèöèåíò óñèëåíèÿ ýêâàëàéçåðîì íèçêî÷àñòîòíîãî ñèãíàëàã Pre HE

ã Q 0.5...10.0Äîáðîòíîñòü ïîëîñû 3 ñì. Fx: 006ã Gain [dB] -18...+18 dBÊîýôôèöèåíò óñèëåíèÿ ïîëîñû 3ä [E] Band4 Cutoff [Hz] 500...20.00 kHzÖåíòðàëüíàÿ

ã [E] Band3 Cutoff [Hz] 300...10.00 kHzÖåíòðàëüíàÿ ÷àñòîòà ïîëîñû 3ã Q 0.5...10.0Äîáðîòíîñòü ïîëîñû 3 ñì. Fx: 006ã Gain [dB] -18...+18 dBÊîýôôèöèåíò

á Q 0.5...10.0Äîáðîòíîñòü ïîëîñû 1 ñì. Fx: 006á Gain [dB] -18...+18 dBÊîýôôèöèåíò óñèëåíèÿ ïîëîñû 1â [E] Band2 Cutoff [Hz] 50...5.00 kHzÖåíòðàëüíàÿ ÷

ã [C] Pre LEQ Gain [dB] -15...+15 dBÊîýôôèöèåíò óñèëåíèÿ ýêâàëàéçåðîì íèçêî÷àñòîòíîãî ñèãíàëàã Pre HEQ Gain [dB] -15...+15 dBÊîýôôèöèåíò óñèëåíèÿ ýêâà

æ [E] Band4 Cutoff [Hz] 500...20.00 kHzÖåíòðàëüíàÿ ÷àñòîòà ïîëîñû 4æ Q 0.5...10.0Äîáðîòíîñòü ïîëîñû 4 ñì. Fx: 006æ Gain [dB] -18...+18 dBÊîýôôèöèåíò

ïîìîùüþ ñâåòîäèîäîâ êíîïîê STYLE PLAY, B.SEQ, SONGPLAY, SONG èëè PROGRAM ñåêöèè MODE. Íà äèñïëåé âûâî-äèòñÿ ñîîòâåòñòâóþùàÿ èêîíêà.Ðàáî÷èé

ê Wet/Dry Dry, 1:99...,99:1 WetÁàëàíñ îáðàáîòàííîãî è ïðÿìîãî ñèãíàëîâ ê Src Off...TempoÈñòî÷íèê ìîäóëÿöèè áàëàíñà ýôôåêòàê Amt -100...+100Ãëóáèíà ì

071: Lim-ChorFlg(Limiter-Chorus/Flanger) ýôôåêòå îáúåäèíåíû ìîíîôîíè÷åñêèå ëèìèòåð è áëîê õî-ðóñ/ôëýíæåð. Ìîæíî èçìåíÿòü ïîðÿäîê ñëåäîâàíèÿ áëîêîâ âý

073: Lim-MTapDly(Limiter- Multitap Delay) ýôôåêòå îáúåäèíåíû ìîíîôîíè÷åñêèå ëèìèòåð è ìíîãîîò-áîðíàÿ çàäåðæêà. Ìîæíî èçìåíÿòü ïîðÿäîê ñëåäîâàíèÿ áëî-

æ [L] Attack 1...100Âðåìÿ àòàêè ñì. Fx: 003æ Release 1...100Âðåìÿ âîññòàíîâëåíèÿ ñì. Fx: 003ç [L] Gain Adjust [dB] -Inf, -38...+24 dB Óðîâåíü óñèëåíè

078: Exc-MTapDly(Exciter-Multitap Delay) ýôôåêòå îáúåäèíåíû ìîíîôîíè÷åñêèå ýêñàéòåð è ìíîãîîò-áîðíàÿ çàäåðæêà.à [X] Blend (Exciter Blend) -100...+100

à [O] Drive Mode Overdrive, Hi-GainÐåæèì: îâåðäðàéâ, äèñòîðøåí ñ âûñîêèìêîýôôèöèåíòîì óñèëåíèÿà Drive 1...100Ãëóáèíà äèñòîðøåíà ñì. Fx: 006á [O] Outpu

è Routing OD → PHS, PHS → ODÏîðÿäîê ñëåäîâàíèÿ â ýôôåêòå áëîêàîâåðäðàéâ/äèñòîðøåí è áëîêà ôàçåðà ñì. Fx: 067ê Wet/Dry Dry, 1:99...,99:1 WetÁàëàíñ îáð

084: Decim-Amp S(Decimator-Amp Simulation) ýôôåêòå îáúåäèíåíû ìîíîôîíè÷åñêèå áëîê èìèòàöèè çâóêàäåøåâîãî ñýìïëåðà (äåöèìàòîð) è áëîê èìèòàöèè óñèëèòå

087: Ch/Fl-MTDly(Chorus/Flanger-Multitap Delay) ýôôåêòå îáúåäèíåíû ìîíîôîíè÷åñêèå áëîê õîðóñ/ôëýíæåðè ìíîãîîòáîðíàÿ çàäåðæêà.à [F] Delay Time [msec]

089: Rev-Gate(Reverb – Gate) ýôôåêòå îáúåäèíåíû ìîíîôîíè÷åñêèå ðåâåðáåðàòîð è ãåéò.à [R] Reverb Time 0.1...10.0 sÂðåìÿ ðåâåðáåðàöèèà High Damp [%] 0.

1. Ñåòåâîé ðàçúåìÈñïîëüçóåòñÿ äëÿ êîììóòàöèè êàáåëÿ ïèòàíèÿ.2. Ïåðåêëþ÷àòåëü POWERÈñïîëüçóåòñÿ äëÿ âûêëþ÷åíèÿ/âêëþ÷åíèÿ èíñòðóìåíòà.3. Ñëîò FLASH CARD

19. Программируемые параметрыÑïèñîê ôóíêöèé, êîòîðûå ìîæíî íàçíà÷èòü íà íîæíîé ïåðåêëþ÷àòåëü èëè ïåäàëü EC5Off Fill 2 Single Touch Acc4 muteStart/stop

Ðóêîâîäñòâî ïîëüçîâàòåëÿ. Korg PA80 •• Ïðîãðàììèðóåìûå ïàðàìåòðû 19-2, 19-3 171Ñïèñîê çâóêîâ, êîòîðûå ìîæíî íàçíà÷èòü íà ïýäîâûå êíîïêè PADÈìÿ òåì

20. MIDIконтроллеры òàáëèöå ïðèâîäèòñÿ ñïèñîê âñåõ ñîîáùåíèé Control Changeè ðåàêöèÿ íà íèõ PA80.CC# Èìÿ CC Ôóíêöèÿ PA800 Bank Select Âûáîð ïðîãðàì

Êàðòà MIDI-ôóíêöèéKORG PA80Îïåðàöèîííàÿ ñèñòåìà OS Version 1.0 — äåêàáðü 12, 2000Ôóíêöèÿ Ïåðåäàåòñÿ Ïðèíèìàåòñÿ Çàìå÷àíèÿBasic Channel Default 1 — 16

23. Опциональный жесткий диск PA80 ìîæíî óñòàíîâèòü æåñòêèé äèñê ATA 2.5”. Äëÿ ïîëó÷å-íèÿ ñïðàâî÷íîé èíôîðìàöèè î ñîâìåñòèìûõ äèñêîâîäàõ îá-ðàùàéò

5. Óñòàíîâèòå æåñòêèé äèñê â èíñòðóìåíò, âåðíóâ êðîí-øòåéíû (Å) è (Æ) íà èõ ïðåæíèå ìåñòà. Çàêðåïèòå èõ ñïîìîùüþ ÷åòûðåõ âèíòîâ (Ä). Çàêðîéòå êðûøêó (

Corrupted Style Perf. Save it againÏîâðåæäåí ïåðôîðìàíñ ñòèëÿ. Ñîõðàíèòå åãî, íàæàâ íà êíîï-êó WRITE, âûáåðèòå îïöèþ “Current Style”.Delete all data –

ÍåèñïðàâíîñòèÍåèñïðàâíîñòü Äåéñòâèå ÑòðàíèöàÎáùèå ïðîáëåìûÍå âêëþ÷àåòñÿ ïèòàíèå Óáåäèòåñü, ÷òî (1) êàáåëü âñòàâëåí â ðîçåòêó ïèòàíèÿ; (2) êàáåëü ñêîìì

25. Технические характеристикиÌîäåëü: KORG PA80Êëàâèàòóðà 61 íîòà, ÷óâñòâèòåëüíàÿ ê ñêîðîñòè íàæàòèÿ (velocity) è ïîñëåêàñàíèþ (after touch).Îïåðàöèîí

18 Îñíîâíûå ôóíêöèè 6-1, 6-2••Korg PA80. Ðóêîâîäñòâî ïîëüçîâàòåëÿ.6. Основные функцииÈãðà íà êëàâèàòóðåÏðè èãðå íà êëàâèàòóðå âîñïðîèçâîäÿòñÿ çâóêè òð

1. Íàæìèòå íà êíîïêó PERFORM. Âýòîì ñëó÷àå ñåêöèÿ PROGRAM/PER-FORMANCE áóäåò èñïîëüçîâàòüñÿäëÿ âûáîðà ïåðôîðìàíñà.2. Ñ ïîìîùüþ êíîïîê PROGRAM/PERFORMA

Ìàðêèðîâêà CE äëÿ åâðîïåéñêèõñòàíäàðòîâÌàðêèðîâêà CE íà ïðèáîðàõ êîìïàíèè Korg, ðàáîòàþùèõ îòñåòè è âûïóùåííûõ äî 31 äåêàáðÿ 1996 ãîäà îçíà÷àåò

Âûáîð è èñïîëüçîâàíèåDIGITAL DRAWBARSPA80 èñêëþ÷èòåëüíî ðåàëèñòè÷íî ìîäåëèðóåò çâóêè êëàññè-÷åñêèõ ðîêîâûõ îðãàíîâ. Äëÿ èõ âûáîðà èñïîëüçóåòñÿ ê

Êíîïêà SINGLE TOUCHÊíîïêà SINGLE TOUCH ïîçâîëÿåò îïðåäåëèòü — áóäóò ïðè âû-áîðå ñòèëÿ èçìåíÿòüñÿ òðåêè ðåàëüíîãî âðåìåíè èëè íåò.• Åñëè ãîðèò ñâåòîäèî

2. Âûáîð äðóãîãî ïåðôîðìàíñà.Óáåäèòåñü, ÷òî ãîðèò ñâåòîäèîä PERFORM.Åñëè ýòî òàê, íàæìèòå íà êíîïêóPROGRAM/PERFORMANCE è âûáåðèòå ïåð-ôîðìàíñ

Íàæìèòå íà êíîïêó 4, ñ èìåíåì “JAZZ”. Ðàñêðîåòñÿ îêíî âûáî-ðà ñòèëÿ.Äëÿ âûáîðà “Jazz Brush” íàæìèòå íà îäíó èç êíîïîê A VOL-UME/VALUE.2. Çàï

Óñòàíîâèòå ïåñíþ, êîòîðóþ íåîáõîäèìî âîñïðîèçâåñòè, âïåðâóþ ñòðîêó ýêðàíà è íàæìèòå íà êíîïêó F2 (SELECT).5. Íàæìèòå íà êíîïêó PLAY/STOP (SEQ1).Ç

10. Ñòèðàíèå è ïåðåçàïèñü îòäåëüíûõ òðåêîâèëè âñåé ïåñíè.1. Äëÿ âõîäà â ðåæèì çàïèñè íàæìèòå íà êíîïêó RECORD.2. Óñòàíîâèòå òðåê, êîòîðûé íåîáõîäèìî ï

1. Äëÿ ïðîñìîòðà òðåêîâ 1 — 8 íàæìèòå íà êíîïêó TRACKSELECT. Çàãîðèòñÿ åå ñâåòîäèîä.Äëÿ ïðîñìîòðà òðåêîâ 9 — 16 íàæìèòå åùå ðàç íà êíîï-êó TRACK SELEC

Äðóãèå îïåðàöèè ðåäàêòèðîâàíèÿÊðîìå ãðîìêîñòè ìîæíî îòðåäàêòèðîâàòü òàêæå è äðóãèå ïà-ðàìåòðû, íàïðèìåð, ïàíîðàìó, óñòàíîâêè ýôôåêòîâ, âûñîòóñòðî

Ôîðìàò GENERAL MIDIÑòàíäàðò General MIDI (GM) áûë ðàçðàáîòàí ñ öåëüþ îáåñïå-÷åíèÿ ñîâìåñòèìîñòè ìåæäó èíñòðóìåíòàìè ðàçëè÷íûõôèðì-ïðîèçâîäèòåëåé.

Çàìå÷àíèå: ïðè çàãðóçêå äàííûõ ñ ãèáêîãî äèñêà ýòèóñòàíîâêè ìîãóò ïîìåíÿòüñÿ. Äëÿ òîãî, ÷òîáû ýòîãî íåïðîèñõîäèëî, âîñïîëüçóéòåñü ôóíêöèåé Global Prot

Ââåäåíèå . . . . . . . . . . . . . . . . . . . . .61. Âîçìîæíîñòè ...6Ðàáîòà â ðåæèìå ðåàëüíîãî âðåìåíè . . .

Äëÿ òîãî, ÷òîáû çâóê âîñïðîèçâîäèëñÿ òîëüêî âíåøíèì ìîäó-ëåì íåîáõîäèìî ëèáî ñ ïîìîùüþ ðåãóëÿòîðà MASTER VOL-UME óñòàíîâèòü ãðîìêîñòü PA80 â íî

9. Режим воспроизведениястиляÐåæèì âîñïðîèçâåäåíèÿ ñòèëÿ çàãðóæàåòñÿ ïðè âêëþ÷åíèèèíñòðóìåíòà. Îí ìîæåò èñïîëüçîâàòüñÿ äëÿ âîñïðîèçâåäåíèÿàâòîàêê

Ïàïêà Ñòðàíèöû DIRECT FD*.SET > STYLE > USER01 1, 2*.SET > STYLE > USER02 3, 4*.SET > STYLE > USER03 5, 6Çàìå÷àíèå: ñêîðîñòü îáìåíà

Çàìå÷àíèå: åñëè ïàðàìåòð “Input 1/2” óñòàíîâëåí â Direct (ñì.ñòð. 14-7), òî ýòè êíîïêè íà àóäèî-âõîäû âëèÿíèÿ íå îêàçûâàþò.E (ïðîãðàììà Upper 1), F (ï

Ñòðóêòóðà ñòðàíèöû ðåäàêòèðîâàíèÿÂûáåðèòå èç ìåíþ íåîáõîäèìûé ðàçäåë è/èëè ïåðåéäèòå êòðåáóåìîé ñòðàíèöå ðåäàêòèðîâàíèÿ.Äëÿ âîçâðàòà ê ãëàâí

Ñòðàíèöà 3 — MIXER: FX SENDÑòðàíèöà èñïîëüçóåòñÿ äëÿ îïðåäåëåíèÿ óðîâíÿ ïîñûëà òðåêàíà âíóòðåííèå ïðîöåññîðû ýôôåêòîâ. Âñå ïðîöåññîðû ýô-ôåêòîâ

User Sc (âûñîòà) !PERF, ! STSÑìåùåíèå âûñîòû íîòû îòíîñèòåëüíî ñòàíäàðòíîé íàñòðîé-êè. Ïàðàìåòð äîñòóïåí, åñëè âûáðàí ïîëüçîâàòåëüñêèé ñòðîé.Ñòðàí

Ñòðàíèöà 12 — FX: D EDITÍà ñòðàíèöå ðàñïîëàãàþòñÿ ïàðàìåòðû ýôôåêòà, íàçíà÷åííî-ãî íà ïðîöåññîð D (îáû÷íî ýòî ýôôåêò ìîäóëÿöèè äëÿ òðåêîâðåàëüíîãî âð

Ïàðàìåòðû !PERF, !STYLE, !STSDrum Òðåê óäàðíûõ/ïåðêóññèè. Íà íåãî íå äåéñòâóþò óñòà-íîâêè òðàíñïîíèðîâàíèÿ (îáùåãî èëè îêòàâíîãî). Äëÿ êàæäîéèç ãðóïï

El.Piano 1 áóäåò âîñïðîèçâîäèòüñÿ ïðè ñïîêîéíîì èñïîëíåíèè,à òåìáð El.Piano 2 — ïðè áîëåå ýêñïðåññèâíîé èãðå.Íèæå îïèñûâàåòñÿ ïðîöåäóðà ðåäàêòèðîâàíèÿ

10. Ðåæèì âîñïðîèçâåäåíèÿ ïåñíè . . . . . .42Ïåñíè è ôîðìàò ñòàíäàðòíîãî MIDI-ôàéëà . . . . . . . . . . . . . .42Óïðàâëåíèå ñåêâåíñåðàìè . . . .

Ñòðàíèöà 21 — STYCTL: WRAP/RNGÏàðàìåòðû ñòðàíèöû èñïîëüçóþòñÿ äëÿ ïðîãðàììèðîâàíèÿôóíêöèè öèêëè÷åñêîé çàìåíû Wrap Around (ñì. îïèñàíèå ïà-ðàìåòðà

D Send !PERF, ! STSÓðîâåíü ïîñûëà íà âíóòðåííèé ïðîöåññîð ýôôåêòîâ D (îáû÷íîìîäóëÿöèîííûé ýôôåêò) êàæäîãî èç ÷åòûðåõ ïýäîâûõ òðåêîâ.Ñòðàíèöà 24 — PREF

10. Режим воспроизведения песниÐåæèì âîñïðîèçâåäåíèÿ ïåñíè èñïîëüçóåòñÿ äëÿ ïðîñëóøè-âàíèÿ ïåñåí (ïðîèãðûâàþòñÿ íåïîñðåäñòâåííî ñ äèñêà).

• Ïðè îäíîâðåìåííîé ðàáîòå îáîèõ ñåêâåíñåðîâ è “S2 FXMode” óñòàíîâëåííîì â “CD” (ñì. ñòð. 10-11), ñåêâåíñåð 1èñïîëüçóåò ýôôåêòû ïðîöåññîðîâ A/B, â òî

Èêîíêà Song PlayÏîêàçûâàåò, ÷òî èíñòðóìåíò íàõîäèòñÿ â ðåæèìå âîñïðîèçâå-äåíèÿ ïåñíè.Çàãîëîâîê ñòðàíèöûÂ ñòðîêå îòîáðàæàþòñÿ: âûáðàííûé ñåêâåíñåð è íà

Ñòðàíèöà SONG SELECTIONÑòðàíèöà âûáîðà ïåñíè îòêðûâàåòñÿ, åñëè íàõîäÿñü íà ãëàâíîéñòðàíèöå íàæàòü íà îäíó èç êíîïîê A (S1:) èëè B (S2:). Òàêæå êýòîé ñ

Âíèìàíèå: åñëè ïåñíÿ, êîòîðàÿ äîëæíà ïðîèãðûâàòüñÿ â ñî-îòâåòñòâèè ñî ñïèñêîì âîñïðîèçâåäåíèÿ, óíè÷òîæåíà, òî âîñ-ïðîèçâåäåíèå îñòàíàâëèâàåòñÿ è íà

Ñòðàíèöà 2 — MIXER: PANÈñïîëüçóåòñÿ äëÿ îïðåäåëåíèÿ ïàíîðàìû êàæäîãî èç òðåêîâïåñíè.Äëÿ ïåðåêëþ÷åíèÿ ìåæäó îêíàìè òðåêîâ 1 — 8 è 9 — 16 èñ-

Ñòðàíèöà 3 — MIXER: FX SENDÏàðàìåòðû ñòðàíèöû ïîçâîëÿþò îïðåäåëèòü óðîâíè ïîñûëîâòðåêîâ íà âíóòðåííèå ïðîöåññîðû C è D.Çàìå÷àíèå: ñòðàíèöà äîñòóïíà òî

C, DÝôôåêòû, íàçíà÷åííûå íà ïðîöåññîðû C è D. Îáû÷íî â êà÷å-ñòâå ýôôåêòà ïðîöåññîðà C âûáèðàåòñÿ ðåâåðáåðàòîð, ïðî-öåññîðà D — ìîäóëÿöèîííûé ýô

15. Ðåæèì ðàáîòû ñ äèñêîì . . . . . . . . . . . .74Ñâåòîäèîä WRITE/DISK IN USE . . . . . . . . . . . . . . . . . . . . . . . .74Óïðàâëåíèå ãèáêèì

ÏàðàìåòðûInternal Òðåê óïðàâëÿåò âîñïðîèçâåäåíèåì çâóêà âíóòðåííå-ãî ãåíåðàòîðà è íå âîçäåéñòâóåò íà âíåøíèå èíñò-ðóìåíòû, ñêîììóòèðîâàííûå ñ âûõîäî

Ñòðàíèöà 10 — PREFERENCESÑòðàíèöà èñïîëüçóåòñÿ äëÿ îïðåäåëåíèÿ îáùèõ ïàðàìåòðîâ.Äëÿ âûáîðà ïàðàìåòðà èñïîëüçóþòñÿ êíîïêè A — D VOL-UME/VALUE.Ç

2. Äëÿ òîãî, ÷òîáû çàãðóçèòü ïåñíþ, íàæìèòå íà îäíó èçêíîïîê B (Load Song) VOLUME/VALUE (ñì. ðàçäåë “Ñòðà-íèöà Load Song”, ñòð. 11-2).3. Äëÿ çàïóñêà â

B (Load Song)Êíîïêè èñïîëüçóþòñÿ äëÿ âûáîðà ïåñíè (ò.å. ñòàíäàðòíîãîMIDI-ôàéëà). Ïðè ýòîì îòêðûâàåòñÿ ñòðàíèöà, íà êîòîðîé ìîæ-íî âûáðàòü ïåñíþ

A (Style)Èíôîðìàöèîííûé (íåðåäàêòèðóåìûé) ïàðàìåòð, îòîáðàæàþ-ùèé âûáðàííûé ñòèëü. Åñëè íå âûáðàí íè îäèí èç ñòèëåé, òîïîëå èìåíè çàïîëíÿåòñÿ ïðîáå

Çàãîëîâîê ñòðàíèöû ñòðîêå îòîáðàæàåòñÿ èìÿ âûáðàííîé ïåñíè.Íîìåð òàêòàÑ÷åò÷èê óêàçûâàåò íîìåð âîñïðîèçâîäÿùåãîñÿ òàêòà âûáðàí-íîé ïåñíè.B (Load Song)

Ñòðàíèöà SAVE SONGÏåñíÿ çàïèñûâàåòñÿ â ýíåðãîçàâèñèìóþ ïàìÿòü RAM, ïîýòîìóïðè âûêëþ÷åíèè èíñòðóìåíòà îíà ñòèðàåòñÿ. Äàííûå ýòîé ïà-ìÿòè ïåðåçàïèñûâàþò

Çàïèñàííûå òðåêè (òðåêè, ñîäåðæàùèå äàííûå).(èêîíêà îòñóòñòâóåò)Òðåê çàìüþ÷åí èëè íå ñîäåðæèò äàííûõ.Ñòðàíèöà 1 — MIXER: VOLUMEÈñïîëüçóåòñÿ äëÿ îïðåäå

Ñòðàíèöà 4 — MIXER: FX SENDÏàðàìåòðû ñòðàíèöû îïðåäåëÿþò óðîâíè ïîñûëîâ òðåêîâ íàïàðû âíóòðåííèõ ïðîöåññîðîâ ýôôåêòîâ A è B èëè C è D. Âû-áîð ïàðû

Ñòðàíèöà 7 — TUNING: PB/SCALEÏàðàìåòðû ñòðàíèöû ïîçâîëÿþò çàïðîãðàììèðîâàòü äëÿ òðå-êîâ ïåñíè äèàïàçîí, â êîòîðîì èçìåíÿåòñÿ ÷àñòîòà ïîä âîç-äå

1. ВозможностиÏðîôåññèîíàëüíàÿ ñòàíöèÿ àðàíæèðîâùèêà Korg PA80 îáëà-äàåò ñëåäóþùèìè âîçìîæíîñòÿìè:• Ìîùíàÿ ãèïåð-èíòåãðèðîâàííàÿ ñèñòåìà ñèíòåçà HI (H

D>CsendÓðîâåíü ïîñûëà ñ âûõîäà ïðîöåññîðà D íà âõîä ïðîöåññîðà C.Ñòðàíèöà 10 — FX: A EDITÍà ñòðàíèöå ðàñïîëàãàþòñÿ ïàðàìåòðû ýôôåêòà, íàçíà÷åííî-ãî

CymbalV Ãðîìêîñòü ðàçëè÷íûõ òàðåëîê.Percus1V Ãðîìêîñòü êëàññè÷åñêîé ïåðêóññèîííîé óñòàíîâêè.Percus2V Ãðîìêîñòü ýòíè÷åñêîé ïåðêóññèîííîé óñòàíîâêè.SFX

13. Режим программыÐåæèì ïðîãðàììû èñïîëüçóåòñÿ äëÿ ïðîñëóøèâàíèÿ îòäåëü-íûõ ïðîãðàìì. Âûáðàííàÿ ïðîãðàììà âîñïðîèçâîäèòñÿ íàâñåì äèàïàçîíå êëàâ

íîò. Äëÿ òîãî, ÷òîáû çâóê ïåðêóññèè âîñïðîèçâåëñÿâíîâü, íåîáõîäèìî ñíÿòü âñå íîòû.NoisAtkÏàðàìåòð ðåãóëèðóåò óðîâåíü øóìîâîé ñîñòàâëÿþùåé ïåð-êóñ

Ñòðàíèöà 1 — GBL: GEN.CONTROLSÍà ñòðàíèöå íàõîäÿòñÿ ðàçëè÷íûå îáùèå ïàðàìåòðû, óñòà-íîâêè ñîñòîÿíèå êëàâèàòóðû, äèíàìèêîâ è ìåòðîíîìà.Vel.Curve

Ñòðàíèöà 4 — GBL: P/SW-SLD-EC5Ïàðàìåòðû ñòðàíèöû îïðåäåëÿþò ôóíêöèîíàëüíîå íàçíà÷å-íèå ïðîãðàììèðóåìîé íîæíîé ïåäàëè/ïåðåêëþ÷àòåëÿ, ïðî-ãðàììè

Clock Send !GBLÏàðàìåòð ðàçðåøàåò/çàïðåùàåò ïåðåäà÷ó ñèíõðîíèçèðóþ-ùèõ ñîîáùåíèé íà âûõîä MIDI OUT.Off Ñãåíåðèðîâàííûå PA80 ñîîáùåíèÿ MIDI Cloc

Ñòðàíèöà 10 — GBL: MIDI IN FILT.Ñòðàíèöà èñïîëüçóåòñÿ äëÿ îïðåäåëåíèÿ óñòàíîâîê 8 ôèëüò-ðîâ, âîçäåéñòâóþùèõ íà âõîäíûå MIDI-äàííûå.Ôèëüòðû !GBLÂûáðàíí

Âèðòóàëüíûé âûõîäÂûáåðèòå ïàðàìåòð, à çàòåì, ñ ïîìîùüþ ðåãóëÿòîðîâTEMPO/VALUE — åãî çíà÷åíèå.Upper1...LowerÒðåêè ðåàëüíîãî âðåìåíè.Pad1...4 Ïýäû

1V/Gt –2 Int FxÑèãíàë àóäèî-âõîäà Input 1 íàïðàâëÿåòñÿ íà ïðî-öåññîð ýôôåêòîâ îïöèîíàëüíîé êàðòû Vocal/GuitarProcessor Board, à ñèãíàë àóäèî-âõî

êíîïêà ENTER, òî æäèòå çàâåðøåíèÿ ïðîöåññà çàãðóçêèîïåðàöèîííîé ñèñòåìû.Ïîñëå çàâåðøåíèÿ çàãðóçêè íà äèñïëåé âûâåäåòñÿ ñîîá-ùåíèå, ïðåäëàãàþùåå âûíóòü

Ñòðàíèöà 17 — GBL: VOCAL/GUITARÑòðàíèöà èñïîëüçóåòñÿ äëÿ âûáîðà ðåæèìà ðàáîòû îïöèî-íàëüíîé êàðòû Vocal/Guitar Processor Board (VHG1) (åñëè îíà

Pitch PitchÂåëè÷èíà ÷àñòîòû ýôôåêòà Pitch (ïîäñòðîéêà).Pitch Level Óðîâåíü ýôôåêòà Pitch (ïîäñòðîéêà).Wah Sens ×óâñòâèòåëüíîñòü ýôôåêòà “âàó-âàó”.Wah

Ñòðàíèöà 20 — GBL: VOCAL SETUP 3Çàìå÷àíèå: ñòðàíèöà äîñòóïíà òîëüêî â òîì ñëó÷àå, åñëè Mode= Vocal (ñì. ðàçäåë “Ñòðàíèöà 17 — GBL: VOCAL/GUITAR”).Ñòðà

Ñòðàíèöà 19 — GBL: GTR SETUP 2Çàìå÷àíèå: ñòðàíèöà äîñòóïíà òîëüêî â òîì ñëó÷àå, åñëè Mode= Guitar (ñì. ðàçäåë “Ñòðàíèöà 17 — GBL: VOCAL/GUITAR”).Ñòðàí

15. Режим работы сдискомÐåæèì ðàáîòû ñ äèñêîì èñïîëüçóåòñÿ äëÿ óïðàâëåíèÿ ôàéëà-ìè. Îí íàêëàäûâàåòñÿ íà òåêóùèé ðåæèì (ðåæèìû âîñïðîèç-âåäåíèÿ ñòèëÿ,

• Ìàãíèòíûå ïîëÿ, ãðÿçü, âëàæíîñòü, äëèòåëüíàÿ ýêñïëóàòà-öèÿ ìîãóò ïðèâåñòè ê ïîòåðå äàííûõ, õðàíÿùèõñÿ íà ãèáêîìäèñêå. Èõ ìîæíî ïîïûòàòüñÿ âîññòàíîâè

Òèïû ôàéëîâÍèæå â òàáëèöàõ îïèñàíû òèïû ôàéëîâ è ïàïîê, ñ êîòîðûìèðàáîòàåò PA80.Ôàéëû, êîòîðûå PA80 ìîæåò ÷èòàòü è çàïèñûâàòü.Ðàñøèðåíèå Òèï ä

1. Ïðè çàãðóçêå äàííûõ ñ ãèáêîãî äèñêà âñòàâüòå åãî âäèñêîâîä.2. Ñ ïîìîùüþ êíîïêè F1 âûáåðèòå äèñêîâîä äëÿ ãèáêèõäèñêîâ. Ïðè ìíîãîêðàòíîì íàæàòèè íà ý

5. Ñ ïîìîùüþ êíîïîê E — H (ïåðåìåùåíèå ïî ñïèñêó) (èëèðåãóëÿòîðîâ TEMPO/VALUE) âûáåðèòå òèï äàííûõ, êîòî-ðûå íåîáõîäèìî çàãðóçèòü.6. Äëÿ òîãî, ÷òîáû î

7. Ñ ïîìîùüþ êíîïîê E — H (ïåðåìåùåíèå ïî ñïèñêó) (èëèðåãóëÿòîðîâ TEMPO/VALUE) óñòàíîâèòå òðåáóåìûé áàíêâ ïåðâóþ ñòðîêó äèñïëåÿ.8. Äëÿ òîãî, ÷òîáû îòê

ñèãíàëîâ. Îïðåäåëèòå çíà÷åíèÿ äðóãèõ, ñâÿçàííûõ ñ íè-ìè ïàðàìåòðîâ (ñì. ðàçäåë “Ñòðàíèöà 14 — GBL: AUDIOIN CF”, ñòð. 14-7 è ïîñëåäóþùèå).5. Âïîñëåäñòâ

3. Ñ ïîìîùüþ êíîïêè F1 âûáåðèòå íåîáõîäèìîå óñòðîéñò-âî. Ïðè ìíîãîêðàòíîì íàæàòèè íà ýòó êíîïêó ïðîèñõîäèòïåðåêëþ÷åíèå äèñêîâîäîâ â ñëåäóþùåé ïîñëåäîâ

7. Äëÿ ñîõðàíåíèÿ äàííûõ â ñóùåñòâóþùóþ ïàïêó “.SET”óñòàíîâèòå åå â ïåðâóþ ñòðîêó äèñïëåÿ. Èñïîëüçóéòåäëÿ ýòîãî êíîïêè E — H èëè ðåãóëÿòîðû TEMPO/VAL

Ñîõðàíåíèå îäíîãî îáúåêòàÍèæå îïèñûâàåòñÿ ïðîöåäóðà ñîõðàíåíèÿ îäíîãî îáúåêòàïîëüçîâàòåëüñêèõ äàííûõ. 1. Ïðè ñîõðàíåíèè äàííûõ íà ãèáêèé äèñê âñò

Ïóñòûå (ñâîáîäíûå) ïîçèöèè, îáîçíà÷àþòñÿ ïîä÷åðêè-âàíèÿìè (“_ _ _”).12. Ñ ïîìîùüþ êíîïîê E — H (ïåðåìåùåíèå ïî ñïèñêó) (èëèðåãóëÿòîðîâ TEMPO/VALUE) âû

7. Ïîñëå òîãî, êàê áûëà âûáðàíà ïàïêà-ïðèåìíèê, íàæìèòåíà êíîïêó F2 (Copy). Âûâåäåòñÿ çàïðîñ íà ïîäòâåðæäå-íèå íåîáõîäèìîñòè âûïîëíåíèÿ îïåðàöèè êîïèð

Ïîñëå çàâåðøåíèÿ âûïîëíåíèÿ îïåðàöèè (ñ äèñïëåÿïðîïàäàåò ñîîáùåíèå “Wait”) íà ýêðàí âûâîäèòñÿ èñõîä-íàÿ ñòðàíèöà, íà êîòîðîé ìîæíî ïðîäîëæèòü îïåðàöèþ

Ñ ïîìîùüþ êíîïîê DOWN/- è UP/+ óñòàíîâèòå êóðñîð âòðåáóåìóþ ïîçèöèþ è êîëåñîì DIAL.âûáåðèòå íåîáõîäè-ìûé ñèìâîë. Äëÿ âñòàâêè ñèìâîëà íàæìèòå íà êíîïêó

Ñòðàíèöà 9 — DISK: UTILITIES 2Ñòðàíèöà èñïîëüçóåòñÿ äëÿ ïðîãðàììèðîâàíèÿ ôóíêöèéçàùèòû.Global Protect !GBLÅñëè ïàðàìåòð óñòàíîâëåí â On (çàùèòà âê

16. Установка и настройкадрайвера KORG MIDI DriverÏðîãðàììíîå îáåñïå÷åíèå KORG MIDI Driver âõîäèò â êîì-ïëåêò ïîñòàâêè îïöèîíàëüíûõ íàáîðîâ

8. Ïðîèçâåäèòå óñòàíîâêè â ñîîòâåòñòâèè ñ ïðîöåäóðîé, îïè-ñàííîé â ðàçäåëå (“Óñòàíîâêè äðàéâåðà KORG MIDI Driver âñðåäå Windows”, ñòð. 16-3). Íàæìèòå

Çàìå÷àíèå: åñëè èñïîëüçóþòñÿ ýôôåêòû ñ áîëüøèì êîýôôè-öèåíòîì óñèëåíèÿ è ñèãíàë àóäèî-âõîäîâ íàïðàâëÿåòñÿ íàâñòðîåííûé ïðîöåññîð ýôôåêòîâ èëè

2. Åñëè â ñèñòåìíîé ïàïêå åñòü äðàéâåð Apple MIDI Driver,òî ñîòðèòå åãî èëè ïåðåïèøèòå â äðóãóþ ïàïêó.Âíèìàíèå: KORG MIDI Driver áåðåò íà ñåáÿ âûïîëíå

17. Заводские данныеÑòèëèBank: 8/16 Beat 1 Bank: 8/16 Beat 2 Bank: Ballroom Bank: Dance1 Soft Beat Guitar Bld1 Slow Pop HouseGarage2 Pop Beat Guitar B

Bank: Jazz 1 Bank: Jazz 2 Bank: Traditional1 Jazz Brush Big Band 3 Ital. Valzer2 Med. Swing Sw. Shuffle Valzer3 Slow Swing FastBigBand GermWaltz 14 Sw

Ïðîãðàììû (óïîðÿäî÷åíû ïî áàíêàì)Íèæå â òàáëèöå ïðèâîäèòñÿ ïîëíûé ñïèñîê çàâîäñêèõ ïðî-ãðàìì PA80, óïîðÿäî÷åííûõ ïî áàíêàì, êîòîðûå âûáèðàþòñÿñ

Èìÿ CC00 CC32 PCFisa 16+8 121 6 21Fisa 16+4 121 7 21MusetteClar 121 5 21Musette 1 121 3 21Musette 2 121 4 21Accordion 121 0 21TangoAccord 121 0 23Fisa

Èìÿ CC00 CC32 PCL&R El.Gtr2 121 10 27RhythmElGtr 121 7 28Guitarish 121 8 27Country Nu 121 11 27Stra. Chime 121 5 28MuteMonster 121 5 30Disto Mute

Èìÿ CC00 CC32 PCWha Trumpet 121 2 59Muted Trp 121 0 59Dual Trump 121 6 56Warm Flugel 121 8 56Trumpet 121 0 56Trumpet 2 121 2 56Trombone 121 0 57Trombo

Èìÿ CC00 CC32 PCClarinet G 121 2 71Folk Clarin 121 7 71Oboe 121 0 68EnglishHorn 121 0 69Bassoon 121 0 70Clarinet 121 0 71Piccolo 121 0 72Flute 121 0 7

Èìÿ CC00 CC32 PCCaribbean 121 2 96Lead Square 121 0 80Lead Saw 121 0 81Calliope 121 0 82Chiff 121 0 83Charang 121 0 84Fifths Lead 121 0 86Bass & L

Èìÿ CC00 CC32 PCLog Drum 121 4 12Woodblock 121 0 115Taiko Drum 121 0 116Melodic Tom 121 0 117Synth Drum 121 0 118Reverse Cym 121 0 119Dragon Gong 121