Korg Triton Studio Bedienungsanleitung PDF herunterladen (Seite 102)

Sampling

P1 P2 P3 P4 P5 P8

For example if Slot 1 contains the factory-installed 16

Mbyte SIMM, and you have installed a 32 Mbyte SIMM

in Slot 2 and a 16 Mbyte SIMM in Slot 3, you will be

able to select RAM1 (16 Mbyte), RAM3 (16 Mbyte),

RAM4 (16 Mbyte), and RAM5 (16 Mbyte) for “Bank

(RAM).” Each bank is 16 Mbytes.

(If a 32 Mbyte SIMM is installed in each Slot1, Slot2,

and Slot3, all banks can be selected, and the total size

will be 96 Mbytes.)

Sample Time [min sec]

Speciﬁes the time that you wish to sample. This can be set in

0.001 second increments. This parameter indicates amount

of remaining memory in the selected memory bank (the

available sampling time). If you record a sample in this con-

dition ([REC]→[START]→[STOP]), the change in time will

be displayed automatically.

If you have sufﬁcient memory, it is a good idea to set an

ample “Sample Time,” and to use the “Truncate” (1–1A, 2–

1A) page menu command after you sample to delete

unwanted portions of the sample and reduce it to the mini-

mum size necessary. You can also press the SAMPLING

[START/STOP] key to stop recording after you have

recorded the desired material (☞For details on the sampling

procedure, refer to BG p.37, 102).

If the writing destination (“Save to”) is RAM, the maximum

value will be calculated from the space remaining in the

selected bank. If the writing destination (“Save to”) is DISK,

the maximum value will be calculated from the space

remaining in the disk speciﬁed by “Select Directory.” A max-

imum of 80 minutes can be sampled in one sample ﬁle for

either mono or stereo (mono: approximately 440 Mbyte, ste-

reo: approximately 879 Mbyte).

If the writing destination is (“Save to”) is RAM, and

“Auto Optimize RAM” (Global P0: 0–3b) is not

checked, unused sample RAM will accumulate,

decreasing the amount of available sample memory

(RAM). If this occurs, execute the page menu command

“Optimize RAM” (0–1M) to reclaim unused RAM.

The remaining amount of RAM can be checked in Sam-

pling mode P0: Memory Status.

The remaining amount of memory will depend on the fol-

lowing conditions:

1. The amount of memory that is installed.

2. Whether the sample is stereo or mono. When the “Sam-

ple Mode” (0–1c) is set to Stereo, the memory capacity

will be halved.

3. The time speciﬁed for “Pre Trigger REC” (0–2b: a func-

tion that automatically samples the sound even before

you begin sampling) will be subtracted from the amount

of memory that actually remains.

Sample Mode [L-Mono, R-Mono, Stereo]

Speciﬁes the channel(s) that you want to sample, and specify

whether a mono or stereo sample will be created.

The sound that is sent to the internal L and/or R bus or the

internal Indiv. 1 and/or 2 bus you specify as the “Source

BUS” (0–2b) will be sampled.

L-Mono: The sound of the internal L channel or internal

Indiv. 1 channel speciﬁed by “Source BUS” will be sampled

in mono.

R-Mono: The sound of the internal R channel or internal

Indiv. 2 channel speciﬁed by “Source BUS” will be sampled

in mono.

Stereo: The sound of the internal L and R channels or the

internal Indiv. 1 and 2 channels speciﬁed by “Source BUS”

will be sampled in stereo. When you sample in stereo, a ste-

reo multisample and samples will be created.

Example 1: Sampling a monaural source connected to AUDIO

INPUT 1 without applying internal effects

Example 2: Stereo-sampling a monaural source connected to

AUDIO INPUT 1 and processed by internal insert effect IFX1

052: Reverb Hall

Example 3: Sampling a stereo source connected to AUDIO

INPUT 1, 2 without applying internal effects

Example 4: Stereo-sampling a stereo source connected to

AUDIO INPUT 1, 2 and processed by internal insert effect

IFX1 008: St.Graphic 7EQ

If you want to sample a digital source connected to S/P

DIF IN or to the EXB-mLAN option, set “Input” (0–2a)

to S/P DIF or mLAN. If S/P DIF is selected, make set-

tings for the L channel in Input1, and settings for the R

channel in Input2.

When stereo sampling ends, you may hear noise in the

audio output, but this does not affect the sound that

was sampled.

For details on settings for resampling, refer to “Resam-

ple” (0–2b).

“Input” (0–2a) Analog

Input1 “Pan” (0–2a) L000

Input1 “Level” (0–2a) 127

Input1 “BUS(IFX/indiv.)Select” (0–2a) L/R

“Source BUS” (0–2b) L/R

“Resample” (0–2b) Manual

“Recording Level [dB]” (0–1d) The desired level

“Sample Mode” (0–1c) L-Mono

“Input” (0–2a) Analog

Input1 “Pan” (0–2a) C064

Input1 “Level” (0–2a) 127

Input1 “BUS(IFX/indiv.)Select” (0–2a) IFX1

“Source BUS” (0–2b) L/R

“Resample” (0–2b) Manual

IFX1(P8) Select and assign 052: Reverb Hall

“Recording Level [dB]” (0–1d) The desired level

“Sample Mode” (0–1c) Stereo

“Input” (0–2a) Analog

Input1 “Pan” (0–2a) L000

Input1 “Level” (0–2a) 127

Input1 “BUS(IFX/indiv.)Select” (0–2a) L/R

Input2 “Pan” (0–2a) R127

Input2 “Level” (0–2a) 127

Input2 “BUS(IFX/indiv.)Select” (0–2a) L/R

“Source BUS” (0–2b) L/R

“Resample” (0–2b) Manual

“Recording Level [dB]” (0–1d) The desired level

“Sample Mode” (0–1c) Stereo

“Input” (0–2a) Analog

Input1 “Pan” (0–2a) L000

Input1 “Level” (0–2a) 127

Input1 “BUS(IFX/indiv.)Select” (0–2a) IFX1

Input2 “Pan” (0–2a) R127

Input2 “Level” (0–2a) 127

Input2 “BUS(IFX/indiv.)Select” (0–2a) IFX1

“Source BUS” (0–2b) L/R

“Resample” (0–2b) Manual

IFX1(P8) Select and assign 008: St.Graphic 7EQ

“Recording Level [dB]” (0–1d) The desired level

“Sample Mode” (0–1c) Stereo

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Korg Triton Studio Bedienungsanleitung Seite 102

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