Korg Triton Studio Bedienungsanleitung PDF herunterladen (Seite 92)

Sequencer

P1 P2 P3 P4 P5 P6 P7 P8 P9

Here you can specify how the arpeggiator will operate in

Sequencer mode. These settings can be made for each song.

In Sequencer mode (as in Combination mode), you can run

the two arpeggiators simultaneously. This allows you to

apply different arpeggio patterns to two sounds that have

been split across the keyboard, or use velocity to switch

between two different arpeggio patterns, etc.

In Sequencer mode, the musical data generated by the

arpeggiator during song track or pattern realtime-recording

can be recorded. While you record, you can modify the

arpeggio pattern and parameters, and adjust the [GATE]

knob and [VELOCITY] knob etc.

It is not possible to set the tempo of the arpeggiator and

the sequencer independently.

When “MIDI Clock” (Global P1: 1–1a) is Internal, the

arpeggiator can be synchronized to the internal sequencer.

(☞BG p.138)

• When you turn on the arpeggiator and press the

SEQUENCER [START/STOP] key, the arpeggiator will

synchronize to the timing of the sequencer.

• When you press the SEQUENCER [START/STOP] key,

the arpeggiator and sequencer will both stop. If you

wish to stop only the arpeggiator, press the

ARPEGGIATOR [ON/OFF] key to turn off.

When the arpeggiator “Key Sync” is off, you can turn on

the ARPEGGIATOR [ON/OFF] key and play the keyboard

to start the arpeggiator running during the pre-count before

realtime recording begins, so that the arpeggiator perfor-

mance will be recorded from the beginning of the pattern at

the same time that recording begins.

When “MIDI Clock” is External MIDI or External

mLAN, the MIDI realtime clock messages transmitted

from the external MIDI device connected to MIDI IN or

the mLAN connector can perform the same type of con-

trol.

Even in this case, you can start/stop using the

SEQUENCER [START/STOP] key of the TRITON STU-

DIO’s sequencer.

7–1: Setup 1–8 (Setup T01–08)

7–2: Setup 9–16 (Setup T09–16)

7–1(2)a: Arpeggiator Assign, Arpeggiator Run A, B

Arpeggiator Assign [Off, A, B]

This assigns arpeggiator A or arpeggiator B to each track 1–

8, 9–16. When the ARPEGGIATOR [ON/OFF] key is turned

on, the arpeggiator speciﬁed for each track will run, subject

to the “Arpeggiator Run A, B” settings and setting here.

Off: The arpeggiator will not operate.

A: Arpeggiator A will operate. Use the Arpeggiator A page

to select the arpeggio pattern and set the parameters.

B: Arpeggiator B will operate. Use the Arpeggiator B page to

select the arpeggio pattern and set the parameters.

For tracks that you wish to realtime-record, select either

arpeggiator A or B. If you specify an arpeggiator for two or

more tracks, the arpeggiator will play each of the tracks you

specify.

You can set A and B to two different MIDI channels, and

control one from the keyboard and the other from an exter-

nal MIDI device connected to MIDI IN. You can also use

multi-track recording (Multi REC) to simultaneously record

the note data that is generated from the two arpeggiators.

Example 1)

On tracks 1 and 2, set “MIDI Channel” (2–1a) to 01 and

“Status” (2–1a) to INT. Assign arpeggiator A to track 1

and arpeggiator B to track 2, and check “Arpeggiator

Run A, B” (7–1a). In “Track Select,” choose Track01.

With the ARPEGGIATOR [ON/OFF] key OFF, play the

keyboard and tracks 1 and 2 will sound simultaneously.

When you turn on the ARPEGGIATOR [ON/OFF] key

and play the keyboard, arpeggiator A will operate for

track 1 and arpeggiator B will operate for track 2.

Example 2)

For tracks 1, 2 and 3, set the “MIDI Channel” (2–1a) to

01, 02, and 03 respectively, and set “Status” (2–1a) to INT.

Assign arpeggiator A to tracks 1 and 2, and arpeggiator B

to track 3. Check the “Arpeggiator Run A, B” (7–1a) set-

ting.

• In “Track Select,” choose Track01.