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Sequencer

P1 P2 P3 P4 P5 P6 P7 P8 P9

Here you can select whether or not to apply ﬁltering to the

MIDI data received by tracks 1–16. For example even if two

tracks are receiving the same MIDI channels, one can be

made to respond to damper pedal activity while the other

does not.

These MIDI ﬁlter settings have no effect on the MIDI

messages that have already been recorded.

These settings affect the MIDI messages that are trans-

mitted when you adjust program, pan, volume, porta-

mento and send 1/2 parameters of a track whose

“Status” (2–1a/2a) is set to BTH, EXT, or EX2.

On (checked): Reception of MIDI data is enabled. Tracks

whose “Status” (2–1a/2a) is INT or BTH will receive these

types of MIDI messages on their respective channels. The

type of effects that are checked will be applied to the pro-

gram of each track when the TRITON STUDIO’s controllers

are operated or when MIDI data is received. (The effect

dynamic modulation function is not affected by these set-

tings.) Settings that regulate MIDI transmission/reception

of the TRITON STUDIO itself are made in MIDI Filter (Glo-

bal P1: 1–1b).

If the user-assignable controllers that can be ﬁltered in the

MIDI 3 and MIDI 4 pages are set to MIDI control changes,

ﬁltering will be performed for these control changes. In this

case, any control change ﬁltering that is being performed in

the MIDI 1 and MIDI 2 pages will be given priority. Further-

more, if the same control change is assigned to multiple con-

trollers for which there are ﬁlter settings in the MIDI 3 and 4

pages, checking any one of these will enable that control

change.

Off (Unchecked): Reception of MIDI data is disabled.

3–1: MIDI 1 1–8 (MIDI Filter –1 T01–08)

3–2: MIDI 1 9–16 (MIDI Filter –1 T09–16)

3–1(2)a:

Enable Program Change, Enable After Touch,

Enable Damper, Enable Portamento SW

Enable Program Change [Off, On]

Speciﬁes whether or not MIDI program change messages

will be received.

Enable After Touch [Off, On]

Speciﬁes whether or not MIDI after touch messages will be

received.

Enable Damper [Off, On]

Speciﬁes whether or not MIDI control message CC#64 Hold

(damper pedal) will be received.

Enable Portamento SW [Off, On]

Speciﬁes whether or not MIDI control message CC#65 Porta-

mento On/Off will be received.

3–3: MIDI 2 1–8 (MIDI Filter –2 T01–08)

3–4: MIDI 2 9–16 (MIDI Filter –2 T09–16)

3–3(4)a: Enable JS X as AMS, Enable JS+Y,

Enable JS-Y, Enable Ribbon

Enable JS X as AMS [Off, On]

Allow incoming MIDI pitch bend messages (the X-axis of

the TRITON STUDIO’s joystick) to control the AMS

(☞p.242) that is speciﬁed for JS X. (This is not a reception ﬁl-

ter for MIDI pitch bend messages.)

Enable JS+Y [Off, On]

Speciﬁes whether or not MIDI control message CC#1 (the +Y

axis of the TRITON STUDIO’s joystick, or assigned to B-

mode of the REALTIME CONTROL knobs [1]–[4]) will be

received.

Enable JS-Y [Off, On]

Speciﬁes whether or not MIDI control message CC#2 (the –Y

axis of the TRITON STUDIO’s joystick, or assigned to B-mode

of the REALTIME CONTROL knobs [1]–[4]) will be received.

Enable Ribbon [Off, On]

Speciﬁes whether or not MIDI control message CC#16 (the

TRITON STUDIO’s ribbon controller, or assigned to B-mode

of the REALTIME CONTROL knobs [1]–[4]) will be received.

3–5: MIDI 3 1–8 (MIDI Filter –3 T01–08)

3–6: MIDI 3 9–16 (MIDI Filter –3 T09–16)

Here you can specify whether the A and B-mode effects of

the REALTIME CONTROL knobs [1]–[4] will be transmitted

and received. The A-mode MIDI controller messages for

each knob are ﬁxed. The B-mode messages can be set in P4:

Zone/Ctrl, Controller page.

Sequencer P3: MIDI Filter

0–1

0–1a

3–1a

0–1b

0–3a

0–1

0–1a

3–3a

0–1b

0–3a

0–1

0–1a

3–5a

0–1b

0–3a

1 2 ... 71 72 73 74 75 76 77 78 79 80 81 ... 321 322

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